The poor dog, in life the firmest friend, The first to welcome, foremost to defend, Whose honest heart is still the master's own, Who labours, fights, lives, breathes for him alone, Unhonour'd falls, unnoticed all his worth, Denied in heaven the soul he held on earth, While man, vain insect hopes to be forgiven, And claims himself a sole exclusive heaven.
Yet truth will sometimes lend her noblest fires, And decorate the verse herself inspires: This fact, in virtue's name, let Crabbe attest,- Though Nature's sternest painter, yet the best.
Near this spot are deposited the remains of one who possessed beauty without vanity, strength without insolence, courage without ferocity, and all the virtues of man, without his vices. This praise, which would be unmeaning flattery if inscribed over human ashes, is but a just tribute to the memory of Botswain, a dog.
O Fame! if I ever took delight in thy praises, Twas less for the sake of thy high-sounding phrases, Than to see the bright eyes of the dear one discover The thought that I was not unworthy to love her.
Think'st thou there is no tyranny but that Of blood and chains? The despotism of vice-- The weakness and the wickedness of luxury-- The negligence--the apathy--the evils Of sensual sloth--produces ten thousand tyrants, Whose delegated cruelty surpasses The worst acts of one energetic master, However harsh and hard in his own bearing.
The music, and the banquet, and the wine-- The garlands, the rose odors, and the flowers, The sparkling eyes, and flashing ornaments-- The white arms and the raven hair--the braids, And bracelets; swan-like bosoms, and the necklace, An India in itself, yet dazzling not.
What an antithetical mind! - tenderness, roughness - delicacy, coarseness - sentiment, sensuality - soaring and groveling, dirt and deity - all mixed up in that one compound of inspired clay!
I have had, and may have still, a thousand friends, as they are called, in life, who are like one's partners in the waltz of this world -not much remembered when the ball is over.