This is the patent-age of new inventions For killing bodies, and for saving souls, All propagated with the best intentions; Sir Humphrey Davy's lantern, by which coals Are safely mined for in the mode he mentions, Tombuctoo travels, voyages to the Poles, Are ways to benefit mankind, as true, Perhaps, as shooting them at Waterloo.
Scion of chiefs and monarchs, where art thou? Fond hope of many nations, art thou dead? Could not the grave forget thee, and lay low Some less majestic, less beloved head?
The image of Eternity--the throne Of the Invisible; even from out thy slime The monsters of the deep are made; each zone Obeys thee; thou goest forth, dread, fathomless, alone.
What makes a regiment of soldiers a more noble object of view than the same mass of mob? Their arms, their dresses, their banners, and the art and artificial symmetry of their position and movements.
Sorrow preys upon Its solitude, and nothing more diverts it From its sad visions of the other world Than calling it at moments back to this. The busy have no time for tears.
I am so convinced of the advantages of looking at mankind instead of reading about them, . . . that I think there should be a law amongst us to set our young men abroad for a term among the few allies our wars have left us.
I live, but live to die: and, living, see nothing to make death hateful, save an innate clinging, a loathsome and yet all invincible instinct of life, which I abhor, as I despise myself,
yet cannot overcome — and so I live. Would I had never lived!
Oh, talk not to me of a name great in story; The days of our youth are the days of our glory; And the myrtle and ivy of sweet two-and-twenty Are worth all your laurels, though ever so plenty.
From the mingled strength of shade and light A new creation rises to my sight, Such heav'nly figures from his pencil flow, So warm with light his blended colors glow. . . . . The glowing portraits, fresh from life, that bring Home to our hearts the truth from which they spring.