And then he danced,-all foreigners excel the serious Angels in the eloquence of pantomime;-he danced, I say, right well, with emphasis, and a'so with good sense-a thing in footing indispensable: he danced without theatrical pretence, not like a ballet-master in the van of his drill'd nymphs, but like a gentleman.
What is the end of Fame? 'tis but to fill A certain portion of uncertain paper: Some liken it to climbing up a hill, Whose summit, like all hills, is lost in vapour: For this men write, speak, preach, and heroes kill, And bards burn what they call their "midnight taper," To have, when the original is dust, A name, a wretched picture, and worse bust.
The poor dog, in life the firmest friend, The first to welcome, foremost to defend, Whose honest heart is still the master's own, Who labours, fights, lives, breathes for him alone, Unhonour'd falls, unnoticed all his worth, Denied in heaven the soul he held on earth, While man, vain insect hopes to be forgiven, And claims himself a sole exclusive heaven.
May Moorland weavers boast Pindaric skill, And tailors' lays be longer than their bill! While punctual beaux reward the grateful notes, And pay for poems--when they pay for coats.
Think'st thou there is no tyranny but that Of blood and chains? The despotism of vice-- The weakness and the wickedness of luxury-- The negligence--the apathy--the evils Of sensual sloth--produces ten thousand tyrants, Whose delegated cruelty surpasses The worst acts of one energetic master, However harsh and hard in his own bearing.