There are geniuses in trade as well as in war, or the state, or letters; and the reason why this or that man is fortunate is not to be told. It lies in the man: that is all anybody can tell you about it.
If the king is in the palace, nobody looks at the walls. It is when he is gone, and the house is filled with grooms and gazers, that we turn from the people, to find relief in the majestic men that are suggested by the pictures and the architecture.
The time is coming when all men will see that the gift of God to the soul is not a vaunting, overpowering, excluding sanctity, buta sweet, natural goodness, a goodness like thine and mine, and that so invites thine and mine to be and to grow.
In sculpture did ever anybody call the Apollo a fancy piece? Or say of the Laocoon how it might be made different? A masterpiece of art has in the mind a fixed place in the chain of being, as much as a plant or a crystal.
But the mark of American merit in painting, in sculpture, in poetry, in fiction, in eloquence, seems to be a certain grace withoutgrandeur, and itself not new but derivative; a vase of fair outline, but empty,--which whoso sees, may fill with what wit and character is in him, but which does not, like the charged cloud, overflow with terrible beauty, and emit lightnings on all beholders.
Idealism sees the world in God. It beholds the whole circle of persons and things, of actions and events, of country and religion,not as painfully accumulated, atom after atom, act after act, in an aged creeping Past, but as one vast picture, which God paints on the instant eternity, for the contemplation of the soul.
I am not so foolish as to declaim against forms. Forms are as essential as bodies; but to exalt particular forms, to adhere to oneform a moment after it is outgrown, is unreasonable, and it is alien to the spirit of Christ.