The person I am in the company of my sisters has been entirely different from the person I am in the company of other people. Fearless, powerful, surprising, moved as I otherwise am only when I write.
Heartbreak can definitely give you a deeper sensibility for writing songs. I drew on a lot of heartbreak when I was writing my first album, I didn't mean to but I just did.
In fiction writing ideas have to be handled extremely carefully. You can't let your characters just be mouthpieces for your ideas. They have to live and breathe on their own.
Sin is a thing that writes itself across a man's face. It cannot be concealed. People talk sometimes of secret vices, there are no such things. If a wretched man has a vice, it shows itself in the lines of his mouth, the droop of his eyelids, the moulding of his hands even.
Dear fatal name! rest ever unreveal'd, Nor pass these lips in holy silence seal'd. Hide it, my heart, within that close disguise, Where mixed with Gods, his lov'd idea lies: O write it not, my hand - the name appears Already written - wash it out, my tears! In vain lost Eloisa weeps and prays, Her heart still dictates, and her hand obeyes.
If you don't have a sensation of apprehension when you set out to find a story and a swagger when you sit down to write it, you are in the wrong business.
If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it's not going to be fired, it shouldn't be hanging there.