Now the writer, I think, has the chance to live more than other people in the presence of ... reality. It is his business to find it and collect it and communicate it to the rest of us.
I write description in longhand because that's hardest for me and you're closer to the paper when you work by hand, but I use the typewriter for dialogue because people speak like a typewriter works.
When you write an article about anything, trolls use the comments to attack. They feel frustrated - but haters are losers. It's not good to feed this aspect. It's more intelligent to be constructive.
Writing checks to the IRS that include strings of zeros does not bother me ... Overall, we feel extraordinarily lucky to have been dealt a hand in life that enables us to write large checks to the government rather than one requiring the government to regularly write checks to us-say, because we are disabled or unemployed.
All life is an experiment. Place yourself in the middle of the stream of power and wisdom which animates all whom it floats, and you are without effort impelled to truth, to right and a perfect contentment. I wish to write such rhymes as shall not suggest a restraint, but contrariwise the wildest freedom. Immortality. I notice that as soon as writers broach this question they begin to quote. I hate quotation. Tell me what you know.
For Dicey, writing in 1885, and for me reading him some seventy years later, the rule of law still had a very English, or at least Anglo-Saxon, feel to it. It was later, through Hayek's masterpieces "The Constitution of Liberty" and "Law, Legislation and Liberty" that I really came to think this principle as having wider application.
When an honest writer discovers an imposition it is his simple duty to strip it bare and hurl it down from its place of honor, no matter who suffers by it; any other course would render him unworthy of the public confidence.
The man who really counts in the world is the doer, not the mere critic -- the man who actually does the work, even if roughly and imperfectly, not the man who only talks or writes about how it ought to be done.
There is no better feeling than when you write something you know is a piece of you and that, at some point, is going to communicate with someone else.
there was no crime in unconscious plagiarism; that I committed it everyday, that he committed it everyday, that every man alive on earth who writes or speaks commits it every day and not merely once or twice but every time he open his mouth… there is nothing of our own in it except some slight change born of our temperament, character, environment, teachings and associations
If we don't keep people engaged, we're not going to move you. And if we move you, we've done something useful. That's what anybody who writes genre knows.
But sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, 'Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know.' So finally I would write one true sentence, and then go on from there.