If a writer knows enough about what he is writing about, he may omit things that he knows. The dignity of movement of an iceberg is due to only one ninth of it being above water.
I am conscious of trying to stretch the boundaries of non-fiction writing. It's always surprised me how little attention many non-fiction writers pay to the formal aspects of their work.
What I'm thinking about are the millions of people, many of whom write me very personal letters :"Dear Mr. President: I did not vote for you. I was against Obamacare. And then my son who didn't have health insurance signed up and we just found out that he had an illness. And thankfully he's now covered, otherwise he might not have gotten treatment and I might have lost my house."
I think writers can respond by writing about the refugee crisis, by looking at problems faced by migrants, by trying hard to portray them as the human beings that they are.
The best way is always to stop when you are going good and when you know what will happen next. If you do that every day when you are writing a novel you will never be stuck. That is the most valuable thing I can tell you so try to remember it.
It is a good thing to write for the amusement of the public, but it is a far higher and nobler thing to write for their instruction, their profit, their actual and tangible benefit.
The history of my life is the history of the struggle between an overwhelming urge to write and a combination of circumstances bent on keeping me from it.
What I write is different from what I say, what I say is different from what I think, what I think is different from what I ought to think and so it goes further into the deepest darkness.
And if I had not a letter to write myself, I might sit by you and admire the evenness of your writing, as another young lady once did. But I have an aunt too, who must not be longer neglected.
The way this whole novel thing came together was, I sold them one bill of goods and then didn't communicate very well. I am like Captain Run-on Sentence.