Now all my tales are based on the fundemental premise that common human laws and interests and emotions have no validity or significance in the vast cosmos-at-large.... To achieve the essence of real externality, whether of time or space or dimension, one must forget that such things as organic life, good and evil, love and hate, and all such local attributes of a negligible and temporary race called mankind, have any existence at all.
Above or Love, Hope, Hate or Fear, It lives all passionless and pure: An age shall fleet like earthly year; Its years in moments shall endure. Away, away, without a wing, O'er all, through all, its thought shall fly; A nameless and eternal thing, Forgetting what it was to die.
The response man has the greatest difficulty in tolerating is pity, especially when he warrants it. Hatred is a tonic, it makes one live, it inspires vengeance, but pity kills, it makes our weakness weaker.
My main goal as an actor, with my craft or whatever poncy way you want to say it, is to always take the audience with me. To make them feel for me, or to make them hate me, I want a reaction. I want their emotions. The worst reaction someone can have is, "eh."
Hate is of all things the mightiest divider, nay, is division itself. To couple hatred, therefore, though wedlock try all her golden links, and borrow to tier aid all the iron manacles and fetters of law, it does but seek to twist a rope of sand.
I am damnably sick of Italy, Italian and Italians, outrageously, illogically sick.... I hate to think that Italians ever did anything in the way of art.... What did they do but illustrate a page or so of the New Testament! They themselves think they have a monopoly in the line. I am dead tired of their bello and bellezza.