Have you reckon’d a thousand acres much? have you reckon’d the earth much? Have you practis’d so long to learn to read? Have you felt so proud to get at the meaning of poems?
All music is what awakes from you when you are reminded by the instruments. It is not the violins and the cornets-it is not the oboe nor the beating drums, nor the score of the baritone singer singing his sweet romanza-nor that of the women's chorus; it is nearer and farther than they.
Apart from the pulling and hauling stands what I am, Stands amused, complacent, compassionating, idle, unitary, Looks down, is erect, or bends an arm on an impalpable certain rest, Looking with side-curved head curious what will come next, Both in and out of the game and watching and wondering at it.
Day full-blown and splendid-day of the immense sun, action, ambition, laughter, The Night follows close with millions of suns, and sleep and restoring darkness.
There was a child went forth everyday, And the first object he looked upon and received with wonder or pity or dread, that object he became, And that object became part of him for the day or a certain part of the day... or for many years or stretching cycles of years.
And I will show that there is no imperfection in the present, and can be none in the future, And I will show that whatever happens to anybody it may be turn'd to beautiful results, And I will show that nothing can happen more beautiful than death, And I will thread a thread through my poems that time and events are compact, And that all the things of the universe are perfect miracles, each as profound as any.
An electric chain seems to vibrate, as it were, between our brain and him or her preserved there [in a Daguerreotype] so well by the limner's cunning. Time, space, both are annihilated, and we identify the semblance with the reality.
Future years will never know the seething hell and the black infernal background, the countless minor scenes and interiors of the secession war; and it is best they should not. The real war will never get in the books.
Here the frailest leaves of me and yet my strongest lasting, Here I shade and hide my thoughts, I myself do not expose them, And yet they expose me more than all my other poems