Children feel the whiteness of the lily with a graphic and passionate clearness which we cannot give them at all. The only thing we can give them is information-the information that if you break the lily in two it won't grow again.
The Sentimentalist, roughly speaking, is the man who wants to eat his cake and have it. He has no sense of honor about ideas; he will not see that one must pay for an idea as well as for anything else. He will have them all at once in one wild intellectual harem, no matter how much they quarrel and contradict each other.
[Buddhism and Christianity] are in one sense parallel and equal; as a mound and a hollow, as a valley and a hill. There is a sense in which that sublime despair is the only alternative to that divine audacity. It is even true that the truly spiritual and intellectual man sees it as sort of dilemma; a very hard and terrible choice. There is little else on earth that can compare with these for completeness. And he who does not climb the mountain of Christ does indeed fall into the abyss of Buddha.
Americans have a taste for…rocking-chairs. A flippant critic might suggest that they select rocking-chairs so that, even when they are sitting down, they need not be sitting still. Something of this restlessness in the race may really be involved in the matter; but I think the deeper significance of the rocking-chair may still be found in the deeper symbolism of the rocking-horse. I think there is behind all this fresh and facile use of wood a certain spirit that is childish in the good sense of the word; something that is innocent, and easily pleased.
Man is more himself, man is more manlike, when Joy is the fundamental thing in him, and Grief the superficial. Melancholy should be an innocent interlude, a tender and fugitive state of mind; Praise should be the permanent pulsation of the soul. Pessimism is at best an emotional half-holiday; Joy is the uproarious labor by which all things live? Christianity satisfies suddenly and perfectly man's ancestral instinct for being the right way up; satisfies it supremely in this, that by its creed Joy becomes something gigantic, and Sadness something special and small.
A detective story generally describes six living men discussing how it is that a man is dead. A modern philosophic story generally describes six dead men discussing how any man can possibly be alive.
Every true artist does feel, consciously or unconsciously, that he is touching transcendental truths; that his images are shadows of things seen through the veil. In other words, the natural mystic does know that there is something there, something behind the clouds or within the trees; but he believes that the pursuit of beauty is the way to find it; that imagination is a sort of incantation that can call it up.
Odd, isn't it, that a thief and a vagabond should repent, when so many who are rich and secure remain hard and frivolous, and without fruit for God or man?
The truth is that it is our attitude towards children that is right, and our attitude towards grown-up people that is wrong. Our attitude towards our equals in age consists in a servile solemnity, overlying a considerable degree of indifference or disdain. Our attitude towards children consists in a condescending indulgence, overlying an unfathomable respect.
They have invented a phrase, a phrase that is a black and white contradiction in two words - 'free-love' - as if a lover ever had been, or ever could be, free.
I would look at the first chapter of any new novel as a final test of its merits. If there was a murdered man under the sofa in the first chapter, I read the story. If there was no murdered man under the sofa in the first chapter, I dismissed the story as tea-table twaddle, which it often really was.
The poetry of art is in beholding the single tower; the poetry of nature in seeing the single tree; the poetry of love in following the single woman; the poetry of religion in worshipping the single star.