The business of the poet is not to find new emotions, but to use the ordinary ones and, in working them up into poetry, to express feelings which are not in actual emotions at all.
I take as metaphysical poetry that in which what is ordinarily apprehensible only by thought is brought within the grasp of feeling, or that in which what is ordinarily only felt is transformed into thought without ceasing to be feeling.
Shall I part my hair behind Do I dare to eat a peach I shall wear white flannel trousers, and walk upon the beach. I have heard the mermaids singing, each to each. I do not think that they will sing to me.
Everyone's alone - or so it seems to me. They make noises, and think they are talking to each other; They make faces, and think they understand each other. And I'm sure they don't. Is that a delusion?
I take as metaphysical poetry that in which what is ordinarily apprehensible only by thought is brought within the grasp of feeling, or that in which what is ordinarily only felt is transformed into thought without ceasing to be feeling.
It has frequently been said that we never desire what we think absolutely inapprehensible: it is however true that some of our sharpest agonies are those in which the object of desire is regarded as both possible and imaginary.
Poetry may make us from time to time a little more aware of the deeper, unnamed feelings which form the substratum of our being, to which we rarely penetrate; for our lives are mostly a constant evasion of ourselves.
We are being made aware that the organization of society on the principle of private profit, as well as public destruction, is leading both to the deformation of humanity by unregulated industrialism, and to the exhaustion of natural resources, and that a good deal of our material progress is a progress for which succeeding generations may have to pay dearly.
I said to my soul, be still, and let the dark come upon you Which shall be the darkness of God. . . . So the darkness shall be the light, and the stillness the dancing.