Only in the problem play is there any real drama, because drama is no mere setting up of the camera to nature: it is the presentation in parable of the conflict between Man's will and his environment: in a word, of problem.
I have never thought much of the courage of a lion tamer. Inside the cage he is at least safe from other men. There is not much harm in a lion. He has no ideals, no religion, no politics, no chivalry, no gentility; in short, no reason for destroying anything that he does not want to eat
What is any respectable girl brought up to do but to catch some rich man's fancy and get the benefit of his money by marrying him?--as if a marriage ceremony could make any difference in the right or wrong of the thing!
Go anywhere in England where there are natural wholesome, contented and really nice English people; and what do you find? That the stables are the real centre of the household.
To disbelieve in marriage is easy: to love a married woman is easy; but to betray a comrade, to be disloyal to a host, to break the covenant of bread and salt, is impossible.
Do not mistake your objection to defeat for an objection to fighting, your objection to being a slave for an objection to slavery, your objection to not being as rich as your neighbor for an objection to poverty. The cowardly, the insubordinate, and the envious share your objections.
It is necessary for the welfare of society that genius should be privileged to utter sedition, to blaspheme, to outrage good taste, to corrupt the youthful mind, and generally to scandalize one's uncles.