For this is the truth about our soul, he thought, who fish-like inhabits deep seas and plies among obscurities threading her way between the boles of giant weeds, over sun-flickered spaces and on and on into gloom, cold, deep, inscrutable; suddenly she shoots to the surface and sports on the wind-wrinkled waves; that is, has a positive need to brush, scrape, kindle herself, gossiping.
In the 18th century we knew how everything was done, but here I rise through the air, I listen to voices in America, I see men flying- but how is it done? I can't even begin to wonder. So my belief in magic returns.
Walden - all his books, indeed - are packed with subtle, conflicting, and very fruitful discoveries. They are not written to prove something in the end. They are written as the Indians turn down twigs to mark their path through the forest. He cuts his way through life as if no one had ever taken that road before, leaving these signs for those who come after, should they care to see which way he went.
Twice Flush had done his utmost to kill his enemy; twice he had failed. And why had he failed, he asked himself? Because he loved Miss Barrett. Looking up at her from under his eyebrows as she lay, severe and silent on the sofa, he knew that he must love her for ever. Things are not simple but complex. If he bit Mr. Browning he bit her too. Hatred is not hatred; hatred is also love.
One should be a painter. As a writer, I feel the beauty, which is almost entirely colour, very subtle, very changeable, running over my pen, as if you poured a large jug of champagne over a hairpin.
Waves of hands, hesitations at street corners, someone dropping a cigarette into the gutter-all are stories. But which is the true story? That I do not know. Hence I keep my phrases hung like clothes in a cupboard, waiting for some one to wear them. Thus waiting, thus speculating, making this note and then an· other I do not cling to life. I shall be brushed like a bee from a sunflower. My philosophy, always accumulating, welling up moment by moment, runs like quicksilver a dozen ways at once.
Who shall blame him? Who will not secretly rejoice when the hero puts his armour off, and halts by the window and gazes at his wife and son, who, very distant at first, gradually come closer and closer, till lips and book and head are clearly before him, though still lovely and unfamiliar from the intensity of his isolation and the waste of ages and the perishing of the stars, and finally putting his pipe in his pocket and bending his magnificent head before her—who will blame him if he does homage to the beauty of the world?
Fiction is like a spider's web, attached ever so slightly perhaps, but still attached to life at all four corners. Often the attachment is scarcely perceptible.