MYTHOLOGY, n. The body of a primitive people's beliefs concerning its origin, early history, heroes, deities and so forth, as distinguished from the true accounts which it invents later.
These are the times in which a genius would wish to live. It is not in the still calm of life, or the repose of a pacific station, that great characters are formed. The habits of a vigorous mind are formed in contending with difficulties. Great necessities call out great virtues. When a mind is raised, and animated by scenes that engage the heart, then those qualities which would otherwise lay dormant, wake into life and form the character of the hero and the statesman.
What makes a hero? Courage, strength, morality, withstanding adversity? Are these the traits that truly show and create a hero? Is the light truly the source of darkness or vice versa? Is the soul a source of hope or despair? Who are these so called heroes and where do they come from? Are their origins in obscurity or in plain sight?
We agreed that great men and women should be forced to live as long as possible. The reverence they enjoyed was a life sentence, which they could neither revoke nor modify.
There is a determined though unseen bravery that defends itself foot by foot in the darkness against the fatal invasions of necessity and dishonesty. Noble and mysterious triumphs that no eye sees, and no fame rewards, and no flourish of triumph salutes. Life, misfortunes, isolation, abandonment, poverty, are battlefields that have their heroes; obscure heroes, sometimes greater than the illustrious heroes.
Out- out are the lights- out all! And, over each quivering form, The curtain, a funeral pall, Comes down with the rush of a storm, While the angels, all pallid and wan, Uprising, unveiling, affirm That the play is the tragedy, "Man," And its hero the Conqueror Worm.
We find not much in ourselves to admire, we are always privately wanting to be like somebody else. If everybody was satisfied with himself, there would be no heroes
John Barleycorn was a hero bold, Of noble enterprise, For if you do but taste his blood, 'Twill make your courage rise, Twill make a man forget his wo; 'Twill heighten all his joy.
The best bribe which London offers to-day to the imagination, is, that, in such a vast variety of people and conditions, one can believe there is room for persons of romantic character to exist, and that the poet, the mystic, and the hero may hope to confront their counterparts.
The key to the age may be this, or that, or the other, as the young orators describe; the key to all ages is - Imbecility; imbecility in the vast majority of men, at all times, and, even in heroes, in all but certain eminent moments; victims of gravity
Be not afraid of anything. You will do marvelous work. The moment you fear, you are nobody. Be a hero. Always say, 'I have no fear'. Tell this to everybody-'Have no fear'.
Folk-lore means that the soul is sane, but that the universe is wild and full of marvels. Realism means that the world is dull and full of routine, but that the soul is sick and screaming. The problem of the fairy tale is: what will a healthy man do with a fantastic world? The problems of the modern novel is: what will a madman do with a dull world? In the fairy tales the cosmos goes mad; but the hero does not go mad. In the modern novels the hero is mad before the book begins, and suffers from the harsh steadiness and cruel sanity of the cosmos.
In the Indian film industry, especially those of us who are in mainstream cinema, we invariably play a typical hero's role. More often than not, we cater to the public perception. However, there is a latent desire in most actors to do a role where you can go all out and experiment.