In the Indian film industry, especially those of us who are in mainstream cinema, we invariably play a typical hero's role. More often than not, we cater to the public perception. However, there is a latent desire in most actors to do a role where you can go all out and experiment.
If there had been a strong democratic sentiment in Germany, Hitler would never have come to power . [Germans] deserved what they got when they went round crying for a hero.
The hero is a mind of such balance that no disturbances can shake his will, but pleasantly, and, as it were, merrily, he advancesto his own music, alike in frightful alarms and in the tipsy mirth of universal dissoluteness.
It is permissible even for a dying hero to think before he dies how men will speak of him hereafter. His fame lasts perhaps two thousand years. And what are two thousand years?... What, indeed, if you look from a mountain top down the long wastes of the ages? The very stone one kicks with one's boot will outlast Shakespeare.
I just don't see anything available that gives any reasonable hope of delivering such a good year and I have no desire to grope around, hoping to 'get lucky' with other people's money. I am not attuned to this market environment, and I don't want to spoil a decent record by trying to play a game I don't understand just so I can go out a hero.
In displaying the psychology of your characters, minute particulars are essential. God save us from vague generalizations! Be sure not to discuss your hero's state of mind. Make it clear from his actions. Nor is it necessary to portray many main characters. Let two people be the center of gravity in your story: he and she.
Be not afraid of anything. You will do marvelous work. The moment you fear, you are nobody. Be a hero. Always say, 'I have no fear'. Tell this to everybody-'Have no fear'.