In the Indian film industry, especially those of us who are in mainstream cinema, we invariably play a typical hero's role. More often than not, we cater to the public perception. However, there is a latent desire in most actors to do a role where you can go all out and experiment.
The shot Irishmen will now take their places beside Emmet and the Manchester Martyrs in Ireland, and beside the heroes of Poland and Sérbia and Belgium in Europe; and nothing in heaven or earth can prevent it.
Infinite perfection is in every man, though unmanifested. Every man has in him the potentiality of attaining to perfect saintliness, Rishihood, or to the most exalted position of an Avatâra, or to the greatness of a hero in material discoveries.
I sing, not arms and the hero, but the philosophic man: he who seeks in contemplation to discover the inner will of the world, ininvention to discover the means of fulfilling that will, and in action to do that will by the so-discovered means.
The hero is a mind of such balance that no disturbances can shake his will, but pleasantly, and, as it were, merrily, he advancesto his own music, alike in frightful alarms and in the tipsy mirth of universal dissoluteness.
For the greater a man's works for the future, the less the present can comprehend them; the harder his fight, and the rarer success. If, however, once in centuries success does come to a man, perhaps in his latter days a faint beam of his coming glory may shine upon him. To be sure, these great men are only the Marathon runners of history; the laurel wreath of the present touches only the brow of the dying hero.