The secret of Greek Art is its imitation of nature even to the minutest details; whereas the secret of Indian Art is to represent the ideal. The energy of the Greek painter is spent in perhaps painting a piece of flesh, and he is so successful that a dog is deluded into taking it to be a real bit of meat and so goes to bite it. Now, what glory is there in merely imitating nature? Why not place an actual bit of flesh before the dog?
Aristotle can be regarded as the father of logic. But his logic is too scholastic, full of subtleties, and fundamentally has not been of much value to the human understanding. It is a dialectic and an organon for the art of disputation.
The poetry of art is in beholding the single tower; the poetry of nature in seeing the single tree; the poetry of love in following the single woman; the poetry of religion in worshipping the single star.
Let me arrest thy thoughts, wonder with me,
Why ploughing, building, ruling and the rest,
Or most of those arts, whence our lives are blessed,
By cursed Cain's race invented be,
And blessed Seth vexed us with astronomy.
If people lacked the capacity to receive the thoughts of the men who preceded them and to pass on to others their own thoughts, men would be like wild beasts. And if men lacked this other capacity of being infected by art, people would be almost more savage still, and, above all, more separated from and more hostile to one another. Therefore the activity of art is a most important one, as important as the activity of speech itself and as generally diffused.
Have not Manet and Monet, Cézanne and Matisse, rendered to painting something of the same service which Keats and Shelley gave to poetry after the solemn and ceremonious literary perfections of the eighteenth century? They have brought back to the pictorial art a new draught of joie de vivre; and the beauty of their work is instinct with gaiety, and floats in sparkling air. I do not expect these masters would particularly appreciate my defence, but I must avow an increasing attraction to their work.
For true poetry, complete poetry, consists in the harmony of contraries. Hence, it is time to say aloud--and it is here above allthat exceptions prove the rule--that everything that exists in nature exists in art.
. . . the triumph of my art is in thoroughly examining whether the thought which the mind of the young man brings forth is a false idol or a noble and true birth.
The web, then, or the pattern, a web at once sensuous and logical, an elegant and pregnant texture: that is style, that is the foundation of the art of literature.