The Hour-Hand of Life --- Life consists of rare, isolated moments of the greatest significance, and of innumerably many intervals, during which at best the silhouettes of those moments hover about us. Love, springtime, every beautiful melody, mountains, the moon, the sea - all these speak completely to the heart but once, if in fact they ever do get a chance to speak completely. For many men do not have those moments at all, and are themselves intervals and intermissions in the symphony of real life.
This is the crux of the moral pessimists: if they really wanted to promote their neighbor's redemption, then they would have to resolve themselves to spoiling existence for him, and thus to being his misfortune; out of pity, they would have to--become evil!
But not to perish from internal distress and doubt when one inflicts great suffering and hears the cry of suffering : that is great, that belongs to greatness.
Error has made man so deep, sensitive, and inventive that he has put forth such blossoms as religions and arts. Pure knowledge could not have been capable of it.
The domestication (the culture) of man does not go deep--where it does go deep it at once becomes degeneration (type: the Christian). The 'savage' (or, in moral terms, the evil man) is a return to nature--and in a certain sense his recovery, his cure from 'culture'.
My formula for greatness in a human being is amor fati: that one wants nothing to be other than it is, not in the future, not in the past, not in all eternity.
A belief, however necessary it may be for the preservation of a species, has nothing to do with truth. The falseness of a judgment is not for us necessarily an objection to a judgment. The question is to what extent it is life-promoting, life-preserving, species preserving, perhaps even species cultivating. To recognize untruth as a condition of life--that certainly means resisting accustomed value feelings in a dangerous way; and a philosophy that risks this would by that token alone place itself beyond good and evil.
It may be that until now there has been no more potent means for beautifying man himself than piety: it can turn man into so much art, surface, play of colors, graciousness that his sight no longer makes one suffer.---