Our faith in others betrays that we would rather have faith in ourselves. Our longing for a friend is our betrayer. And often with our love we want merely to overcome envy. And often we attack and make ourselves enemies, to conceal that we are vulnerable.
The strength required for the vision of the most powerful reality is not only compatible with the most powerful strength for action, for monstrous action, for crime - it even presupposes it.
Watch them clamber, these swift monkeys! They clamber over one another and thus drag one another into the mud and the depth. They all want to get to the throne: that is their madness — as if happiness sat on the throne. Often, mud sits on the throne — and often the throne also on mud. Mad they all appear to me, clambering monkeys and overardent. Foul smells their idol, the cold monster: foul, they smell to me altogether, these idolators.
Socrates and Plato are right: whatever man does he always does well, that is, he does that which seems to him good (useful) according to the degree of his intellect, the particular standard of his reasonableness.
Man, however, is the most courageous animal: thereby has he overcome every animal. With sound of triumph has he overcome every pain; human pain, however, is the sorest pain.
I have found strength where one does not look for it: in simple, mild, and pleasant people, without the least desire to rule -- and, conversely, the desire to rule has often appeared to me a sign of inward weakness: they fear their own slave soul and shroud it in a royal cloak (in the end, they still become the slaves of their followers, their fame, etc.)
Then is what you see through this window onto the world so lovely that you have no desire whatsoever to look out through any other window, and that you even make an attempt to prevent others from doing so?
In this state one enriches everything out of one's own fullness: whatever one sees, whatever wills is seen swelled, taut, strong, overloaded with strength. A man in this state transforms things until they mirror his power—until they are reflections of his perfection. This having to transform into perfection is—art.
However much we may feel for the misery of someone close to us, we always act with some artificiality in their presence. We hold-back from telling them everything we think, often because we do not genuinely mean what we say; or because we take a pleasure in their plight, thankful that we are not affected.