Such a mind we must desire to see in a woman,--a mind that stirs without irritating you, that arouses but does not belabour, amuses and yet subtly instructs.
A girl's coquetry is of the simplest, she thinks that all is said when the veil is laid aside; a woman's coquetry is endless, she shrouds herself in veil after veil, she satisfies every demand of man's vanity, the novice responds but to one.
God in his harmony has equal ends
For cedar that resists and reed that bends;
For good it is a woman sometimes rules,
Holds in her hand the power, and manners, schools,
And laws, and mind; succeeding master proud,
With gentle voice and smiles she leads the crowd,
The somber human troop.
The real trouble about women is that they must always go on trying to adapt themselves to men's theories of women, as they alwayshave done. When a woman is thoroughly herself, she is being what her type of man wants her to be. When a woman is hysterical it's because she doesn't quite know what to be, which pattern to follow, which man's picture of woman to live up to.
That's just what a woman is. She thinks she knows what's good for a man, and she's going to see he gets it; and no matter if he's starving, he may sit and whistle for what he needs, while she's got him, and is giving him what's good for him.
The perfect woman perpetrates literature as she perpetrates a small sin: as an experiment, in passing, glancing around to see whether anybody notices--and to make sure that somebody notices.