For why, my brothers and sisters, would you rejoice in silver? Either your silver will perish, or you will, and no one knows which will perish first. For neither can you remain here always, nor can silver remain here always; so also with gold, wardrobes, houses, money, real estate-and in the end, even the light by which we enjoy all these things. So do not be willing then to rejoice in such things as these. Rejoice instead in the light that has no setting; rejoice in the dawn which no yesterday precedes, and no tomorrow follows.
The real trouble with this world of ours is not that it is an unreasonable world, nor even that it is a reasonable one. The commonest kind of trouble is that it is nearly reasonable, but not quite. ... It looks just a little more mathematical and regular than it is; its exactitude is obvious, but its inexactitude is hidden; its wilderness lies in wait.
You're not here just to be a clone. You're not here to be a copy. We have enough of those. You don't have to apply. You don't even have to go there to be absolutely yourself - real, here, now, on this planet.
The thief steals from himself. The swindler swindles himself. For the real price is knowledge and virtue, whereof wealth and credit are signs. These signs, like paper money, may be counterfeited or stolen, but that which they represent, namely, knowledge and virtue, cannot be counterfeited or stolen.
She tried to explain the real state of the case to her sister. "I do not attempt to deny," said she, "that I think very highly of him--that I greatly esteem, that I like him." Marianne here burst with forth with indignation: "Esteem him! Like him! Cold-hearted Elinor. Oh! worse than cold-hearted! Ashamed of being otherwise. Use those words again, and I will leave the room this moment." Elinor could not help laughing. "Excuse me," said she, "and be assured that I meant no offence to you, by speaking, in so quiet a way, of my own feelings.
True deliverance of man is the deliverance from Avidya i.e. ignorance. It is not in destroying anything that is positive and real, for that cannot be possible, but that which is negative, which obstructs our vision of truth.
People don't live their lives in a series of scenes that form a dramatic narrative, they don't speak in dialogue, they're not lit by a cinematographer or scored by a composer. The properties of real life and the properties of drama have almost nothing to do with each other. The difference between writing about reporters and being a reporter is the same as the difference between drawing a building and building a building.
POSITIVISM- A philosophy that denies our knowledge of the Real and affirms our ignorance of the Apparent. Its longest exponent is Comte, its broadest Mill and its thickest Spencer.
That's because only a real artist knows the actual anatomy of the terrible or the physiology of fear - the exact sort of lines and proportions that connect up with latent instincts or hereditary memories of fright, and the proper colour contrasts and lighting effects to stir the dormant sense of strangeness.
I can not but hate the prospect of slavery's expansion. I hate it because of the monstrous injustice of slavery itself. I hate it because it deprives our republican example of its just influence in the world-enables the enemies of free institutions, with plausibility, to taunt us as hypocrites-causes the real friends of freedom to doubt our sincerity.
Comparing objects like cars, houses, clothes, and defining life according to those comparisons, instead of trying to discover the real reason for being alive.
Matter is real to my senses, but they aren't trustworthy. If Galileo or Copernicus had accepted what they saw, they would never have discovered the movement of the earth and planets.