The relentless note of incipient hysteria, the invitation to panic, the ungrounded scenarios - the overwhelming and underlying desire for something truly terrible to happen so that you could have something really hot to talk about - was still startling. We call disasters unimaginable, but all we do is imagine such things. [...] That, you could conclude mordantly, is the real soundtrack of our time: the amplification of the self-evident toward the creation of paralyzing, preëmptive paranoia.
I am quite serious when I say that I do not believe there are, on the whole earth besides, so many intensified bores as in these United States. No man can form an adequate idea of the real meaning of the word, without coming here.
Democracy is for infidels. A real Muslim is not a democrat because he doesn't care about the opinions of majorities and minorities don't interest him. He is only interested in what Islam says.
Our scientific world is our world of reasoning. It has its greatness and uses and attractions. We are ready to pay homage due to it. But when it claims to have discovered the real world for us and laughs at the worlds of all simple-minded men, then we must say it is like a general grown intoxicated with his power, usurping the throne of his king
There is no such thing as a good influence. Because to influence a person is to give him one's own soul. He does not think his natural thoughts, or burn with his natural passions. His virtures are not real to him. His sins, if there are such thing as sins, are borrowed. He becomes an echo of someone else's music, an actor of a part that has not been written for him.
Storytelling, you know, has a real function. The process of the storytelling is itself a healing process, partly because you have someone there who is taking the time to tell you a story that has great meaning to them. They're taking the time to do this because your life could use some help, but they don't want to come over and just give advice. They want to give it to you in a form that becomes inseparable from your whole self. That's what stories do. Stories differ from advice in that, once you get them, they become a fabric of your whole soul. That is why they heal you.
By his monstrous way of life he seemed to have put himself beyond the limits of reality. Nothing moved him or spoke to him from the real world unless he heard it in an echo of the infuriated cries within him.
In my actual imaginative contact with life, I am vastly more responsive to beauty than to horror - indeed, I never experience real cosmic horror except in infrequent nightmares. However, when I come to record my various imaginative experiences, I generally find that only the horror items have any uniqueness or originality. Others have seen the same beautiful things that I have seen, & have sung them more nobly.
That's something - you laugh about Eminem... It's funny, man, because I didn't like him when he first came out, ya know. It seemed like a big joke. But I think the guy's for real, and I like his lyrics!
This world is nothing. It is at best only a hideous caricature, a shadow of the Real. We must go to the Real. Renunciation will take us to It. Renunciation is the very basis of our true life; every moment of goodness and real life that we enjoy is when we do not think of ourselves.
Medievalism, with its saints and martyrs, its love of self-torture, its wild passion for wounding itself, its gashing with knives, and its whipping with rods - Medievalism is real Christianity, and the medieval Christ is the real Christ.
Art awakens a sense of real by establishing an intimate relationship between our inner being and the universe at large, bringing us a consciousness of deep joy.
She put both her hands on his shoulders and gazed at him long, with a deep look of ecstasy and yet searchingly. She scrutinized his face to make up for the time she had not seen him. She compared, as she did at every interview with him, the image her fancy painted of him (incomparably finer than, and impossible in actual existence) with his real self.
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. That is what makes a real movie. The script must be something that has the power to do this.