Some things are just really difficult to do. That's what I find hard. I usually can find a way to do a character to make it real and work. But sometimes it's a struggle sustaining that, because there's such a level of personal involvement and personal, physical, and emotional distraughtness.
When we meet real tragedy in life, we can react in two ways - either by losing hope and falling into self-destructive habits, or by using the challenge to find our inner strength.
We must never fear robbers or murderers. They are dangers from outside, small dangers. It is ourselves we have to fear. Prejudice is the real robber, vice the real murderer. Why should we be troubled by a threat to our person or our pocket? What we have to beware of is the threat to our souls'.
The government in which I believe is that which is based on mere moral sanction...the real law lives in the kindness of our hearts. If our hearts are empty, no law or political reform can fill them.
I would like to be remembered as a guy who had a set of priorities, and was willing to live by those priorities. In terms of accomplishments, my biggest accomplishment is that I kept the country safe amidst a real danger.
The real case against socialism is not its economic inefficiency, though on all sides there is evidence of that. Much more fundamental is its basic immorality.
Language is as real, as tangible, in our lives as streets, pipelines, telephone switchboards, microwaves, radioactivity, cloning laboratories, nuclear power stations.
You can begin to see an amalgamation of cultures, the real beginning of one world. Ten years ago, it would have been impossible to imagine a Cockney singing group with a Southern Negro style and Indian and electronic music. I wonder if people have even noticed what a tremendous cultural signal the Beatles are.
We as central bankers need not be concerned if a collapsing financial asset bubble does not threaten to impair the real economy, its production, jobs and price stability.
Man stands in materialism; you and I are materialists. Our talking about God and Spirit is good; but it is simply the vogue in our society to talk thus: we have learnt it parrot-like and repeat it. So we have to take ourselves where we are as materialists, and must take the help of matter and go on slowly until we become real spiritualists, and feel ourselves spirits, understand the spirit, and find that this world which we call the infinite is but a gross external form of that world which is behind.
Write about this man who, drop by drop, squeezes the slave's blood out of himself until he wakes one day to find the blood of a real human being--not a slave's--coursing through his veins.
There has never been a time in which I have been convinced from within myself that I am alive. You see, I have only such a fugitive awareness of things around me that I always feel they were once real and are now fleeting away. I have a constant longing, my dear sir, to catch a glimpse of things as they may have been before they show themselves to me.
The fatal metaphor of progress, which means leaving things behind us, has utterly obscured the real idea of growth, which means leaving things inside us.
Pictures! Pictures! Pictures! Often, before I learned, did I wonder whence came the multitudes of pictures that thronged my dreams; for they were pictures the like of which I had never seen in real wake-a-day life. They tormented my childhood, making of my dreams a procession of nightmares and a little later convincing me that I was different from my kind, a creature unnatural and accursed.
The English tourist in American literature wants above all things something different from what he has at home. For this reason the one American writer whom the English whole-heartedly admire is Walt Whitman. There, you will hear them say, is the real American undisguised. In the whole of English literature there is no figure which resembles his - among all our poetry none in the least comparable to Leaves of Grass
It's what we live for, to be able to make great illusions. The thing about 'Entourage' is everything we do is realistic. We go to the real places, we shoot on location. We get the real people. It's a perfect marriage between fact and fiction.