When we think of God, we are apt to think of Him in human form. In the Epiphanies of the Old Testament God revealed Himself to Joshua and others in human form. He puts Himself within the compass of our highest conception, in order that He may make Himself real to us in His love and sympathy and power.
Do you know what I've learned? That although ecstasy is the ability to stand outside yourself, dance is a way of rising up into space, of discovering new dimensions while still remaining in touch with your body. When you dance, the spiritual world and the real world manage to coexist quite happily. I think classical ballet dancers dance on pointe because they're simultaneously touching the earth and reaching up to the skies.
Boredom is an evil that is not to be estimated lightly. It can come in the end to real despair. The public authority takes precautions against it everywhere, as against other universal calamities.
Actors are so fortunate. They can choose whether they will appear in tragedy or in comedy, whether they will suffer or make merry, laugh or shed tears. But in real life it is different. Most men and women are forced to perform parts for which they have no qualifications. Our Guildensterns play Hamlet for us, and our Hamlets have to jest like Prince Hal. The world is a stage, but the play is badly cast.
It is not a lack of real affection that scares me away again and again from marriage. Is it a fear of the comfortable life, of nice furniture, of dishonor that I burden myself with, or even the fear of becoming a contented bourgeois.
Perpetual modernness is the measure of merit, in every work of art; since the author of it was not misled by anything short- livedor local, but abode by real and abiding traits.
Your real statesman is first of all, and chief of all, a great human being, with an eye for all the great fields on which men likehimself struggle, with unflagging, pathetic hope, toward better things.... He is a guide, a counselor, a mentor, a servant, a friend of mankind.
Real evidence is usually vague and unsatisfactory. It has to be examined---sifted. But here the whole thing is cut and dried. No, my friend, this evidence has been very cleverly manufactured---so cleverly that it has defeated its own ends.
I never utter my real feelings about anything. My lighter, superficial side will always be too quick for the deeper side of me, and that's why it always wins.
I like, for instance, 'Serpico.' I enjoyed playing Serpico because Frank Serpico was there. He existed. He was a real life person and I could - I could embody him. I could, you know, I could work and get to know him and have him help me with the text, the script and become him. It's almost like a painter having a model to become.
It must be remembered that there is no real reason to expect anything in particular from mankind; good and evil are local expedients - or their lack - and not in any sense cosmic truths or laws.
I think the oddest thing about the advanced people is that, while they are always talking about things as problems, they have hardly any notion of what a real problem is.
It is necessary to prepare and to plan so that we don’t fritter away our lives. Without a goal, there can be no real success. One of the best definitions of success I have ever heard goes something like this: success is the progressive realization of a worthy ideal. Someone has said the trouble with not having a goal is that you can spend your life running up and down the field and never cross the goal line.
A real gentleman, even if he loses everything he owns, must show no emotion. Money must be so far beneath a gentleman that it is hardly worth troubling about.