I have been one acquainted with the night. I have walked out in rain - and back in rain. I have outwalked the furthest city light. I have looked down the saddest city lane. I have passed by the watchman on his beat And dropped my eyes, unwilling to explain.
I silently laugh at my own cenotaph,
And out of the caverns of rain,
Like a child from the womb, like a ghost from the tomb,
I arise and unbuild it again.
The most offensive egotist is he that fears to say "I" and "me." "It will probably rain" - that is dogmatic. "I think it will rain" - that is natural and modest. Montaigne is the most delightful of essayists because so great is his humility that he does not think it important that we see not Montaigne. He so forgets himself that he employs no artifice to make us forget him.
I was always embarresed by the words 'sacred,' 'glorious,' and 'sacrifice' and the expression 'in vain.' We had heard them, sometimes standing in the rain almost out of earshot, so that only the shouted words came through, and had read them on proclamations that were slapped up by billposters over other proclamations, now for a long time, and I had seen nothing sacred, and the things that were glorious had no glory and the sacrifices were like the stock yards at Chicago if nothing was done with the meat except to bury it.
A little rain, a little blood. Black fingernails in August; and going berserk, going bananas. As if entrapped in a tropical heatwave, with dozens of whirlwinds swirling in one’s mind, one thinks of a way out, or a way in: out of the scorching bosom of a volcano, and in – into the centre of a raging hurricane. And tracing the labyrinthine ways of your mind, the haphazard vagaries of your thoughts at ease, the odds and ends of your mental surplus you carelessly throw at the world, one wants to be at a loss, in a maze; amazed, and amazingly unabashed.
A girl came in the cafe and sat by herself at a table near the window. She was very pretty with a face fresh as a newly minted coin if they minted coins in smooth flesh with rain-freshened skin, and her hair black as a crow's wing and cut sharply and diagonally across her cheek.
Ay! says the Vedanta, it is not the fault of God that this partiality exists, that this competition exists. Who makes it? We ourselves. There is a cloud shedding its rain on all fields alike. But it is only the field that is well cultivated, which gets the advantage of the shower; another field, which has not been tilled or taken care of cannot get that advantage. It is not the fault of the cloud.
The water-lily, in the midst of waters, opens its leaves and expands its petals, at the first pattering of the shower, and rejoices in the rain-drops with a quicker sympathy than the packed shrubs in the sandy desert.
The sound of the rain needs no translation. In music one doesn't make the end of the composition the point of the composition... Same way in dancing, you don't aim at one particular spot in the room... The whole point of dancing is the dance.
It blows a snowing gale in the winter of the year;
The boats are on the sea and the crews are on the pier.
The needle of the vane, it is veering to and fro,
A flash of sun is on the veering of the vane.
Autumn leaves and rain,
The passion of the gale.
That's a waste of time. If you really understand Zen... you can use any book. You could use the Bible. You could use Alice in Wonderland. You could use the dictionary, because... the sound of the rain needs no translation.
Dark house, by which once more I stand Here in the long unlovely street, Doors, where my heart was used to beat So quickly, waiting for a hand, A hand that can be clasp'd no more - Behold me, for I cannot sleep, And like a guilty thing I creep At earliest morning to the door. He is not here; but far away The noise of life begins again, And ghastly thro' the drizzling rain On the bald street breaks the blank day.
The Indian who was laid under a curse, that the wind should not blow on him, nor water flow to him, nor fire burn him, is a type of us all. The dearest events are summer-rain, and we the Para coats that shed every drop. Nothing is left us now but death. We look to that with a grim satisfaction, saying, there at least is reality that will not dodge us.