I have been one acquainted with the night. I have walked out in rain - and back in rain. I have out walked the furthest city light. I have looked down the saddest city lane. I have passed by the watchman on his beat And dropped my eyes, unwilling to explain. I have stood still and stopped the sound of feet. When far away an interrupted cry Came over houses from another street, But not to call me back or say good-bye; And further still at an unearthly light, One luminary clock against the sky Proclaimed the time was neither wrong nor right. I have been one acquainted with the night.
I do not know much about gods; but I think that the river is a strong brown god-sullen, untamed and intractable, Patient to some degree, at first recognized as a frontier; Useful, untrustworthy, as a conveyor of commerce; Then only a problem confronting the builder of bridges. The problem once solved, the brown god is almost forgotten By the dwellers in cities-ever, however, implacable. Keeping his seasons, and rages, destroyer, reminder Of what men choose to forget. Unhonored, unpropitiated By worshippers of the machine, but waiting, watching and waiting.
I silently laugh at my own cenotaph,
And out of the caverns of rain,
Like a child from the womb, like a ghost from the tomb,
I arise and unbuild it again.
That's a waste of time. If you really understand Zen... you can use any book. You could use the Bible. You could use Alice in Wonderland. You could use the dictionary, because... the sound of the rain needs no translation.
Our little kinsmen after rain
In plenty may be seen,
a pink and pulpy multitude
The tepid ground upon;
A needless life if seemed to me
Until a little bird
As to a hospitality
Advanced and breakfasted.
I remember one little rainy day I went searching for this apartment and I saw so many people standing on a stoop on the corner in the rain. Later I realized, that was drug traffic. They were all buying drugs.
The sound of the rain needs no translation. In music one doesn't make the end of the composition the point of the composition... Same way in dancing, you don't aim at one particular spot in the room... The whole point of dancing is the dance.
After a day of cloud and wind and rain Sometimes the setting sun breaks out again, And touching all the darksome woods with light, Smiles on the fields until they laugh and sing, Then like a ruby from the horizon's ring, Drops down into the night.
A girl came in the cafe and sat by herself at a table near the window. She was very pretty with a face fresh as a newly minted coin if they minted coins in smooth flesh with rain-freshened skin, and her hair black as a crow's wing and cut sharply and diagonally across her cheek.
The sun, moving as it does, sets up processes of change and becoming and decay, and by its agency the finest and sweetest water is every day carried up and is dissolved into vapour and rises to the upper region, where it is condensed again by the cold and so returns to the earth. This, as we have said before, is the regular course of nature.