Thus it is well to seem merciful, faithful, humane, sincere, religious, and also to be so; but you must have the mind so disposed that when it is needful to be otherwise you may be able to change to the opposite qualities.
Flora, always tall, had grown to be very broad too, and short of breath; but that was not much. Flora, whom he had left a lily, had become a peony; but that was not much. Flora, who had seemed enchanting in all she said and thought, was diffuse and silly. That was much. Flora, who had been spoiled and artless long ago, was determined to be spoiled and artless now. That was a fatal blow.
The German people in its whole character is not warlike, but rather soldierly, that is, while they do not want war, they are not frightened by the thoughts of it.
We wonder why we don't have faith; the answer is, faith is confidence in the character of God and if we don't know what kind of God God is, we can't have faith.
The problem is when you become so well known that everyone is watching you and you don't have an opportunity to observe. It's something that I don't want to lose. I like being unnoticed when I don't feel like being noticed. It's not like I crave attention all the time. Something that I've always loved and appreciated is the chance to see something about someone's character, observe and kind of retain it, and study it without feeling like I'm studying it. I have an intense curiosity. And it would be a shame if I lose the ability to do that.
Over the whole, a young lady presided, whose gloomy haughtiness as she surveyed the street, announced a deep-seated grievance against society, and an implacable determination to be avenged.
I'm very interested in compassion - compassion for oneself and others. I write about very complicated characters and experiences and try to do it without judging the character or the action.
In the tale proper--where there is no space for development of character or for great profusion and variety of incident--mere construction is, of course, far more imperatively demanded than in the novel.
Our character is not so much the product of race and heredity as of those circumstances by which nature forms our habits, by which we are nurtured and live.
A skillful commander is not overbearing. A skillful fighter does not become angry. A skillful conqueror does not compete with people. One who is skillful in using men puts himself below them. This is called the strength to use men. This is called matching Heaven, The highest principle of old.
The competent leader of men cares little for the niceties of other peoples' characters: he cares much--everything--for the exterior uses to which they may be put.... These are men to be moved. How should he move them? He supplies the power; others simply the materials on which that power operates.
In times to come people will not judge us by the creed we profess or the label we wear or the slogans we shout, but, by our work, industry, sacrifice, honesty and purity of character.