The character of covetousness, is what a man generally acquires more through some niggardliness or ill grace in little and inconsiderable things, than in expenses of any consequence.
We read Charlotte Bronte not for exquisite observation of character - her characters are vigorous and elementary; not for comedy - hers is grim and crude; not for a philosophic view of life - hers is that of a country parson's daughter; but for her poetry. Probably that is so with all writers who have, as she has, an overpowering personality, so that, as we say in real life, they have only to open the door to make themselves felt.
"Would you, do you, my dear?" rejoined the Captain ... "I don't know. It's difficult navigation. She's very hard to carry on with, my dear. You never can tell how she'll head, you see. She's full one minute, and round upon you next."
Joie est mon caractere, C'est la faute a Voltaire; Misere est mon trousseau C'est la faute a Rousseau. [Joy is my character, 'Tis the fault of Voltaire; Misery is my trousseau 'Tis the fault of Rousseau.] - Gavroche
He had a certain air of being a handsome man-which he was not; and a certain air of being a well-bred man-which he was not. It was mere swagger and challenge; but in this particular, as in many others, blustering assertion goes for proof, half over the world.
Every state of welfare, every feeling of satisfaction, is negative in its character; that is to say, it consists in freedom from pain, which is the positive element of existence.
Experience was of no ethical value. It was merely the name men gave to their mistakes. Moralists had, as a rule, regarded it as a mode of warning, had claimed for it a certain ethical efficacy in the formation of character, had praised it as something that taught us what to follow and showed us what to avoid. But there was no motive power in experience. It was as little of an active cause as conscience itself. All that it really demonstrated was that our future would be the same as our past, and that the sin we had done once, and with loathing, we would do many times, and with joy.
All of the actors that have served to me as inspiration over the years have been those more associated with dramatic work who have, in turn, been able to embody their characters and lose themselves in those characters that they create.