I do tend to gravitate to the more dramatic side of things. I love feeling intense emotions when I'm acting. I just love characters and stories with conflict.
All great writers have, of course, an atmosphere in which they seem most at their ease and at their best; a mood of the general mind which they interpret and indeed almost discover, so that we come to read them rather for that than for any story or character or scene of seperate excellence.
Though not a participant in the Business of life; I am, like the character of Addison and Steele, an impartial (or more or less impartial) Spectator, who finds not a little recreation in watching the antics of those strange and puny puppets called men.
The present representative of the Dedlocks is an excellent master.He supposes all his dependents to be utterly bereft of individual characters, intentions or opinions, and is persuaded that he was born to supersede the necessity of their having any.If he were to make a discovery to the contrary, he would be simply stunned - would never recover himself, most likely, except to gasp and die.
The fighter (like the writer) must stand alone. If he loses he cannot call an executive conference and throw off on a vice president or the assistant sales manager. He is consequently resented by fractional characters who cannot live outside an organization.
What I like doing is being a different person. Every character is kind of different. So being able to be that person and then when you leave you're yourself again. So it's kind of weird to be like two different people, and I think that's kind of fun.
Everyone has the obligation to ponder well his own specific traits of character. He must also regulate them adequately and not wonder whether someone else's traits might suit him better. The more definitely his own a man's character is, the better it fits him.
The Greek people have gone through some very difficult times and there's still a hard road ahead, but despite those hardships, Greece has continued to be a reliable ally, has shown true compassion to fellow human beings in need. It's an example of the Greek character.
When trying a case [the famous judge] L. Cassius never failed to inquire "Who gained by it?" Man's character is such that no one undertakes crimes without hope of gain.
The true key to the declension of the Roman empire which is not to be found in all Gibbon 's immense work may be stated in two words: the imperial character overlaying, and finally destroying, the national character. Rome under Trajan was an empire without a nation.
"Then idiots talk," said Eugene, leaning back, folding his arms, smoking with his eyes shut, and speaking slightly through his nose, "of Energy. If there is a word in the dictionary under any letter from A to Z that I abominate, it is energy."
Thus it is well to seem merciful, faithful, humane, sincere, religious, and also to be so; but you must have the mind so disposed that when it is needful to be otherwise you may be able to change to the opposite qualities.
The key to writing for Richard (Pryor) was to just push his buttons and then know when to push the buttons on your cassette recorder. You'd get him started, then surreptitiously start recording when he got inspired and started walking around the room and improvising in character. Then you'd get it all transcribed and take credit for it.