We read Charlotte Bronte not for exquisite observation of character - her characters are vigorous and elementary; not for comedy - hers is grim and crude; not for a philosophic view of life - hers is that of a country parson's daughter; but for her poetry. Probably that is so with all writers who have, as she has, an overpowering personality, so that, as we say in real life, they have only to open the door to make themselves felt.
Though not a participant in the Business of life; I am, like the character of Addison and Steele, an impartial (or more or less impartial) Spectator, who finds not a little recreation in watching the antics of those strange and puny puppets called men.
For me, a lot of the humor comes not from innocence but from characters trying to figure out how to get what they need. I don't try to be funny, but am relieved when an opportunity comes up for humor.
What is required of us now is a new era of responsibility - a recognition, on the part of every American, that we have duties to ourselves, our nation, and the world, duties that we do not grudgingly accept but rather seize gladly, firm in the knowledge that there is nothing so satisfying to the spirit, so defining of our character, than giving our all to a difficult task. This is the price and the promise of citizenship.
Of means of persuading by speaking there are three species: some consist in the character of the speaker; others in the disposing the hearer a certain way; others in the thing itself which is said, by reason of its proving, or appearing to prove the point.
People lament that there's no roles being written for South Asian or Muslim characters. But their parents don't want their children to go into the entertainment field. You don't get it both ways.
The shortest route is not the most direct one, but rather the one where the most favorable winds swell our sails:Mthat is the lesson that seafarers teach. Not to abide by this lesson is to be obstinate: here, firmness of character is tainted with stupidity.