But the novels of women were not affected only by the necessarily narrow range of the writer's experience. They showed, at least in the nineteenth century, another characteristic which may be traced to the writer's sex. In Middlemarch and in Jane Eyre we are conscious not merely of the writer's character, as we are conscious of the character of Charles Dickens, but we are conscious of a woman's presence of someone resenting the treatment of her sex and pleading for its rights.
He had a sense of his dignity, which was of the most exquisite nature. He could detect a design upon it when nobody else had any perception of the fact. His life was made an agony by the number of fine scalpels that he felt to be incessantly engaged in dissecting his dignity.
What I can say is that all my characters are searching for their souls, because they are my mirrors. I'm someone who is constantly trying to understand my place in the world, and literature is the best way that I found in order to see myself.
We pass for what we are. Character teaches above our wills. Men imagine that they communicate thier virtue or vice by overt actions, and do not see that virtue or vice emit a breath ever moment....One tendency unites them all. The voyage of the best ship is a zsig zag line of a hundred tacks. See the line from a sufficent distance and it straightens itslef to the average tendency.
If a man has a very decided character, has a strongly accentuated career, it is normally the case of course that he makes ardent friends and bitter enemies.
Any fool can fight a winning battle, but it needs character to fight a losing one, and that should inspire us; which reminds me that I dreamed the other night that I was being hanged, but was the life and soul of the party.
Reason must approach nature in order to be taught by it. It must not, however, do so in the character of a pupil who listens to everything that the teacher chooses to say, but of an appointed judge who compels the witness to answer questions which he has himself formulated.
Sir," returned Mrs. Sparsit, " I cannot say that i have heard him precisely snore, and therefore must not make that statement. But on winter evenings, when he has fallen asleep at his table, I have heard him, what I should prefer to describe as partially choke. I have heard him on such occasions produce sounds of a nature similar to what may be heard in dutch clocks. Not," said Mrs. Sparsit, with a lofty sense of giving strict evidence, " That I would convey any imputation on his moral character. Far from it.
You only learn when you give your whole being to something. When you give your whole being to mathematics,you learn; but when you are in a state of contradiction, when you do not want to learn but are forced to learn, then it becomes merely a process of accumulation. To learn is like reading a novel with innumerable characters; it requires your full attention, not contradictory attention.
In other words, character is far more important than intellect to the race as to the individual. We need intellect, and there is no reason why we should not have it together with character; but if we must choose between the two we choose character without a moment's hesitation.
The present representative of the Dedlocks is an excellent master.He supposes all his dependents to be utterly bereft of individual characters, intentions or opinions, and is persuaded that he was born to supersede the necessity of their having any.If he were to make a discovery to the contrary, he would be simply stunned - would never recover himself, most likely, except to gasp and die.
Self Esteem::"It is very easy in the world to live by the opinion of the world. It is very easy in solitude to be self-centered. But the finished man is he who in the midst of the crowd keeps with perfect sweetness the independence of solitude. I knew a man of simple habits and earnest character who never put out his hands nor opened his lips to court the public, and having survived several rotten reputations of younger men, honor came at last and sat down with him upon his private bench from which he had never stirred."
One of the first memories I have was watching Whoopi Goldberg perform her one-woman show on Broadway on HBO. She moved seamlessly through an array of spirited and soul-stirring characters, each one holding a mirror up to me and allowing me in many ways to see a reflection of myself on screen.
I think all writers are armchair psychologists to some degree or another, and I think a character's sexuality is fascinating. It's a great way to really get at the root of their identity, because it's such a personal thing.
It is far pleasanter to injure and afterwards beg forgiveness than to be injured and grant forgiveness. He who does the former gives evidence of power and afterwards of kindness of character.
The Mirror Empire is the most original fantasy I've read in a long time, set in a world full of new ideas, expanding the horizons of the genre. A complex and intricate book full of elegant ideas and finely-drawn characters.