In archery we have something like the way of the superior man. When the archer misses the center of the target, he turns round and seeks for the cause of his failure in himself.
Le lecteur, lui non plus, ne voit pas les choses du dehors. Il est dans le labyrinthe aussi. The reader [as well as the main character] does not view the work from outside. He too is in the labyrinth.
You silly Arthur! If you knew anything about...anything, which you don't, you would know that I adore you. Everyone in London knows it except you. It is a public scandal the way I adore you. I have been going about for the last six months telling the whole of society that I adore you. I wonder you consent to have anything to say to me. I have no character left at all. At least, I feel so happy that I am quite sure I have no character left at all.
There are certain artists and filmmakers who, I get the impression, are trying to show off how bad their characters can be, how immoral their characters can be.
Everything becomes agitated. Ideas quick-march into motion like battalions of a grand army to its legendary fighting ground, and the battle rages. Memories charge in, bright flags on high; the cavalry of metaphor deploys with a magnificent gallop; the artillery of logic rushes up with clattering wagons and cartridges; on imagination's orders, sharpshooters sight and fire; forms and shapes and characters rear up; the paper is spread with ink - for the nightly labor begins and ends with torrents of this black water, as a battle opens and concludes with black powder.
Prepare for the difficult while it is still easy. Deal with the big while it is still small. Difficult undertakings have always started with what easy. Great undertakings always started with what is small. Therefore the sage never strives for the great,And thereby the great is achieved.
It is one of those problems of human nature, which may be noted down, but not solved; - although Ralph felt no remorse at that moment for his conduct towards the innocent, true-hearted girl; although his libertine clients had done precisely what he had expected, precisely what he most wished, and precisely what would tend most to his advantage, still he hated them for doing it, from the very bottom of his soul.
The true key to the declension of the Roman empire which is not to be found in all Gibbon 's immense work may be stated in two words: the imperial character overlaying, and finally destroying, the national character. Rome under Trajan was an empire without a nation.
Good name in man and woman, dear my lord, Is the immediate jewel of their souls: Who steals my purse steals trash; ’tis something, nothing; ’twas mine, ’tis his, and has been slave to thousands; But he that filches from me my good name Robs me of that which not enriches him, And makes me poor indeed.
All the housemaid hopes is, happiness for 'em - but marriage is a lottery, and the more she thinks about it, the more she feels the independence and the safety of a single life.
When you work with a good actor, there is this natural rapport and chemistry that develops over time. That chemistry helps your characters come alive and makes the story of the film that much more convincing.
As men get on in life, they acquire a love for sincerity, and somewhat less solicitude to be lulled or amused. In the progress ofthe character, there is an increasing faith in the moral sentiment, and a decreasing faith in propositions.
I will now claim - until dispossesed - that I was the first person in the world to apply the typewriter to literature. ... The early machine was full of caprices, full of defects- devilish ones. It had as many immoralities as the machine of today has virtues. After a year or two I found that it was degrading my character, so I thought I would give it to Howells. ... He took it home to Boston, and my morals began to improve, but his have never recovered.
The only thing I know that makes me feel comfortable is to know as much as I can. Not like what the shots are going to be, but knowing enough about my character that I can forget those things. And more specifically, my lines. I have to know my lines. I have to know something really well, so I can forget it when we're doing it. And there is comfort in knowing, "Okay, there's not another stone that I could have overturned."