Whenever you take a step forward, you are bound to disturb something. You disturb the air as you go forward, you disturb the dust, the ground. You trample upon things. When a whole society moves forward, this trampling is on a much bigger scale; and each thing that you disturb, each vested interest which you want to remove, stands as an obstacle.
Love is most nearly itself
When here and now cease to matter.
Old men ought to be explorers
Here or there does not matter
We must be still and still moving
Into another intensity
For a further union, a deeper communion
Through the dark cold and the empty desolation,
The wave cry, the wind cry, the vast waters
Of the petrel and the porpoise.
By arts, sails, and oars, ships are rapidly moved; arts move the
light chariot, and establish love.
[Lat., Arte citae veloque rates remoque moventur;
Arte levis currus, arte regendus Amor.]
I tell the players that they can't relive any day in their lives and that they can't relive the minutes of a game, so they should make a great effort, a Mount Everest type effort, to live up to their potential. Success is a communal type thing, and if we win, then everyone can be considered successful and we can move uptown together.
More than a building that houses books and data, the library represents a window to a larger world, the place where we've always come to discover big ideas and profound concepts that help move the American story forward and the human story forward.
Motion is always a relative thing. I move in relation to something else. Any particle in this universe can change in relation to any other particle; but take the whole universe as one, and in relation to what can it move? There is nothing besides it. So this infinite Unit is unchangeable, immovable, absolute, and this is the Real Man.
Our two souls therefore, which are one, Though I must go, endure not yet A breach, but an expansion, Like gold to airy thinness beat. If they be two, they are two so As stiff twin compasses are two; Thy soul, the fixed foot, makes no show To move, but doth if th' other do. And though it in the center sit, Yet when the other far doth roam, It leans and hearkens after it, And grows erect, as that comes home. Suth wilt thou be to me, who must Like th' other foot, obliquely run; Thy firmness makes my circle just, And makes me end where I began.
The sun, moving as it does, sets up processes of change and becoming and decay, and by its agency the finest and sweetest water is every day carried up and is dissolved into vapour and rises to the upper region, where it is condensed again by the cold and so returns to the earth. This, as we have said before, is the regular course of nature.
First of all, I - right after September the 11th, I knew we were fighting a different kind of war. . . . And the people responsible for helping us protect and defend came forth with the current program, because it enables us to move faster and quicker. And that's important. We've got to be fast on our feet, quick to detect and prevent. . . .
The first thing I would do would be to move forward with an agenda to make sure that we give D.C. the opportunity to elect its own representatives and have some political power on Capitol Hill.
Distributed intelligence is the key to the advancement of human civilization. Dictatorships, communist countries, monarchies in the past all eventually collapsed because of their inefficiency in moving information.
I want to thank you for coming to the White House to give me an opportunity to urge you to work with these five senators and three congressmen, to work hard to get this trade promotion authority moving. The power that be, well most of the power that be, sits right here.
On matters beyond his ken a gentleman speaks with caution. If names are not right, words are misused. When words are misused, affairs go wrong. When affairs go wrong, courtesy and music droop, law and justice fail. And when law and justice fail them, a people can move neither hand nor foot. So a gentleman must be ready to put names in speech, to put words into deeds. A gentleman is nowise careless of words.
I have every sympathy for writers. It's a mystery to me what they do. I can edit. I can cross out and say, 'I'm not saying that' or, 'How about we move this to here? Wouldn't that make that bit of the story better?' But where any of it comes from is beyond me. I will never write a play or a novel.