Circumstantial evidence is a very tricky thing. It may seem to point very straight to one thing, but if you shift your own point of view a little, you may find it pointing in an equally uncompromising manner to something entirely different
While every noble morality develops from a triumphant affirmation of itself, slave morality from the outset says No to what is "outside," what is "different," what is "not itself"; and this No is its creative deed.
How does it happen, Maecenas, that no one is content with that lot in life which he has chosen, or which chance has thrown in his way, but praises those who follow a different course?
[Lat., Qui fit, Maecenas, ut nemo quam sibi sortem,
Seu ratio dederit, seu fors objecerit, illa
Contentus vivat? laudet diversa sequentes.]
I would say I am more concerned with the plays I'm going to do than the movies. I'm more comfortable in a play. In film, there's always a certain sense of control, of holding back. The stage is different ; there's more to act. There are more demands put on you, more experiences to go through.
Life is a test and this world a place of trial. Always the problems - or it may be the same problem - will be presented to every generation in different forms.