Do not enjoy yourself. Enjoy dances and theaters and joy-rides and champagne and oysters; enjoy jazz and cocktails and night-clubs if you can enjoy nothing better; enjoy bigamy and burglary and any crime in the calendar, in preference to the other alternative; but never learn to enjoy yourself.
There are times where I'd say the Oval Office, you use to gather the facts. The decisions you probably make late at night, or at least I do. But there are some times where you think you've made a decision, but during that walk, where you're announcing the decision, you've just got to make sure that, you're prepared to live with it, because as you know George, a lot of these decisions are not - the outcomes are uncertain.
I didn't run with a gang - I didn't have time. There were a few little street gangs sitting in the spotlights at night time - talking and playing marbles. But I was so wrapped up in boxing since I was 12.
The outer world, from which we cower into our houses, seemed after all a gentle habitable place; and night after night a man's bed, it seemed, was laid and waiting for him in the fields, where God keeps an open house.
There were nights when he took a deal more rum and water than his head could carry; and then he would sometimes sit and sing his wicked old wild sea-songs, minding nobody... Often I have heard the house shaking with Yo-ho-ho and a bottle and rum, all the neighbours joining in for dear life with the fear of death upon them and each singing louder than the other to avoid remark. Fiften men on the dead man's chest, Yo-ho-ho and a bottle of rum! Drink and the devil have done for the rest. Yo-ho-ho and a bottle of rum!
What is the knocking? What is the knocking at the door in the night? It is somebody who wants to do us harm. No, no, it is the three strange angels. Admit them, admit them.
There's nothing like an opening night or like the curtain going up and having a full house, but also having weeks and weeks to work with your director and cast members and try to crack the play. It's great.
Let us go then, you and I, When the evening is spread out against the sky Like a patient etherised upon a table; Let us go, through certain half-deserted streets, The muttering retreats 5 Of restless nights in one-night cheap hotels And sawdust restaurants with oyster-shells: Streets that follow like a tedious argument Of insidious intent To lead you to an overwhelming question … 10 Oh, do not ask, “What is it?” Let us go and make our visit. In the room the women come and go Talking of Michelangelo.
What, keep a week away? Seven days and nights,
Eightscore-eight hours, and lovers' absent hours
More tedious than the dial eightscore times!
O weary reckoning!
The yellow fog that rubs its back upon the window-panes The yellow smoke that rubs its muzzle on the window-panes Licked its tongue into the corners of the evening Lingered upon the pools that stand in drains Let fall upon its back the soot that falls from chimneys Slipped by the terrace, made a sudden leap And seeing that it was a soft October night Curled once about the house, and fell asleep