Layer upon layer, Italy's storied past unfolds in Robert Kaster's captivating journey along the venerable Queen of Roads. I cannot imagine a more perfect guide to such a rich trove of ancient and modern memories. Illuminating, erudite, entertaining, and evocative.
I've met a man and fallen in love with him. I allowed myself to fall in love for one simple reason: I'm not expecting anything to come of it. I know that, in three months' time, I'll be far away and he'll be just a memory, but I couldn't stand living without love any longer; I had reached my limit.
Washington is dead! This great man fought against Tyranny; he established the liberty of his country. His memory will always be dear to the French people, as it will be to all free men of the two worlds; and especially to French soldiers, who, like him and the American soldiers, have combated for liberty and equality.
All propaganda must be confined to a few bare necessities and then must be expressed in a few stereotyped formulas . . . Only constant repetition will finally succeed in imprinting an idea upon the memory of a crowd.
I know my fate. One day my name will be associated with the memory of something tremendous — a crisis without equal on earth, the most profound collision of conscience, a decision that was conjured up against everything that had been believed, demanded, hallowed so far. I am no man, I am dynamite.
Because computers have memories, we imagine that they must be something like our human memories, but that is simply not true. Computer memories work in a manner alien to human memories. My memory lets me recognize the faces of my friends, whereas my own computer never even recognizes me. My computer's memory stores a million phone numbers with perfect accuracy, but I have to stop and think to recall my own.
A pilot must have a memory developed to absolute perfection. But there are two higher qualities which he also must have. He must have good and quick judgment and decision, and a cool, calm courage that no peril can shake.
Past dreams of bliss our lives contain, And slight the chords that still retain A heart estranged to joys again, To scenes by memory's silver chain Close-linked, and ever yet apart, That like the vine, whose tendrils young Around some fostering branch have clung, Grown with its growth, as tho' it sprung From one united heart.
Perhaps there may come into my art also, no less than into my life, a still deeper note, one of greater unity of passion, and directness of impulse. Not width but intensity is the true aim of modern art. We are no longer in art concerned with the type. It is with the exception that we have to do. I cannot put my sufferings into any form they took, I need hardly say. Art only begins where Imitation ends, but something must come into my work, of fuller memory of words perhaps, of richer cadences, of more curious effects, of simpler architectural order, of some aesthetic quality at any rate.
On occasion I have observed parents shopping to clothe a son about to enter missionary service. The new suits are fitted, the new shoes are laced, and shirts, socks, and ties are bought in quantity. I met one father who said to me, 'Brother Monson, I want you to meet my son.' Pride popped his buttons; the cost of the clothing emptied his wallet; love filled his heart. Tears filled my eyes when I noticed that his [the father's] suit was old, his shoes well worn; but he felt no deprivation. The glow on his face was a memory to cherish.
Learning in the true sense of the word is possible only in that state of attention, in which there is no outer or inner compulsion. Right thinking can come about only when the mind is not
enslaved by tradition and memory.