The little babies are missing their families from their past lives. The babies have old souls and the old souls have to shrink to become little babies. The tears loosen their memories so they can slide away. They cry at the life they have lost, and then they cry at everything they'll forget.
To write as if your life depended on it; to write across the chalkboard, putting up there in public the words you have dredged; sieved up in dreams, from behind screen memories, out of silence-- words you have dreaded and needed in order to know you exist.
It is in dreams that I have known the real clutch of stark, hideous, maddening, paralysing fear. My infant nightmares were classics, & in them there is not an abyss of agonising cosmic horror that I have not explored. I don't have such dreams now - but the memory of them will never leave me. It is undoubtedly from them that the darkest & most gruesome side of my fictional imagination is derived.
But in Republics there is a stronger vitality, a fiercer hatred, a keener thirst for revenge. The memory of their former freedom will not let them rest; so that the safest course is either to destroy them, or to go and live in them.
History is the witness that testifies to the passing of time; it illumines reality, vitalizes memory, provides guidance in daily life and brings us tidings of antiquities.
Adaptation is always the same process for me, which is some version of throwing the book at the wall and seeing what pages fall out. It is trying to imagine, remember the story, read it, put it down, and then write sort of an outline without the book in front of you with some hope that what you like about it will be filtered and distilled out through your memory and then that will be similar to what other people like about it.
Layer upon layer, Italy's storied past unfolds in Robert Kaster's captivating journey along the venerable Queen of Roads. I cannot imagine a more perfect guide to such a rich trove of ancient and modern memories. Illuminating, erudite, entertaining, and evocative.
Men ought to find the difference between saltiness and bitterness. Certainly, he that hath a satirical vein, as he maketh others afraid of his wit, so he had need be afraid of others' memory.
How is the mind which functions on knowledge how is the brain which is recording all the time to end, to see the importance of recording and not let it move in any other direction? Very simply: you insult me, you hurt me, by word, gesture, by an actual act; that leaves a mark on the brain which is memory. That memory is knowledge, that knowledge is going to interfere in my meeting you next time obviously.
But it is possible, it is possible: the old grief, by a great mystery of human life, gradually passes into quiet, tender joy; instead of young, ebullient blood comes a mild, serene old age: I bless the sun's rising each day and my heart sings to it as before, but now I love its setting even more, its long slanting rays, and with them quiet, mild, tender memories, dear images from the whole of a long and blessed life--and over all is God's truth, moving, reconciling, all-forgiving!
Not surprisingly, as the pioneer theme is presented, each goes back in memory to his or her own family line. There are usually examples to identify and which fit the definition of a pioneer: "one who goes before, showing others the way to follow." Some, if not all, made great sacrifices to leave behind comfort and ease and respond to that clarion call of their newly found faith.
I pray that our Heavenly Father may assuage the anguish of your bereavement, and leave you only the cherished memory of the loved and lost, and the solemn pride that must be yours, to have laid so costly a sacrifice upon the altar of Freedom.
Perhaps there may come into my art also, no less than into my life, a still deeper note, one of greater unity of passion, and directness of impulse. Not width but intensity is the true aim of modern art. We are no longer in art concerned with the type. It is with the exception that we have to do. I cannot put my sufferings into any form they took, I need hardly say. Art only begins where Imitation ends, but something must come into my work, of fuller memory of words perhaps, of richer cadences, of more curious effects, of simpler architectural order, of some aesthetic quality at any rate.