A tale begun in other days, When summer suns were glowing - A simple chime, that served to time The rhythm of your rowing - Whose echoes live in memory yet, Though envious years would say 'forget.
I should dread to disfigure the beautiful ideal of the memories of illustrious persons with incongruous features, and to sully the imaginative purity of classical works with gross and trivial recollections.
That is an editor. He is trying to think of a word. He props his feet on a chair, which is the editor's way; then he can think better. I do not care much for this one; his ears are not alike; still, editor suggests the sound of Edward, and he will do. I could make him better if I had a model, but I made this one from memory. But is no particular matter; they all look alike, anyway. They are conceited and troublesome, and don't pay enough.
In excited conversation we have glimpses of the universe, hints of power native to the soul, far-darting lights and shadows of an Andes landscape, such as we can hardly attain in lone meditation. Here are oracles sometimes profusely given, to which the memory goes back in barren hours.
I can't have composite characters. I can't attribute dialogue to someone based simply on my memory and not based on notes taken at the time that the words were spoken.
This is a gift that I have, simple, simple; a foolish extravagant spirit full of forms, figures, shapes, objects, ideas, apprehensions, motions, revolutions; these are begot in the ventricle of memory, nourished in the womb of pia mater, and delivered upon the mellowing of occasion.
...the idea of a spiritual part of our nature that survives death, the notion of an afterlife, ought to be easy for religions and nations to sell. This is not an issue of which we might anticipate widespread skepticism. People will want to believe it, even if the evidence is meager to nil... compelling testimony ... provides that our personality, character, memory ... resides in the matter of the brain, it is easy not to focus on it, to find ways to evade the weight of the evidence.
Poetry, even when apparently most fantastic, is always a revolt against artifice, a revolt, in a sense, against actuality. It speaks of what seems fantastic and unreal to those who have lost the simple intuitions which are the test of reality; and, as it is often found at war with its age, so it makes no account of history, which is fabled by the daughters of memory.
It is singular how soon we lose the impression of what ceases to be constantly before us. A year impairs, a luster obliterates. There is little distinct left without an effort of memory, then indeed the lights are rekindled for a moment - but who can be sure that the Imagination is not the torch-bearer?