Chorus: Zeus, who guided men to think who laid it down that wisdom comes alone through suffering. Still there drips in sleep against the heart grief of memory; against our pleasure we are temperate.
Some men at the approach of a dispute neigh like horses. Unless there be an argument, they think nothing is doing. Some talkers excel in the precision with which they formulate their thoughts, so that you get from them somewhat to remember; others lay criticism asleep by a charm. Especially women use words that are not words,--as steps in a dance are not steps,--but reproduce the genius of that they speak of; as the sound of some bells makes us think of the bell merely, whilst the church chimes in the distance bring the church and its serious memories before us.
The Cosmos is all that is or was or ever will be. Our feeblest contemplations of the Cosmos stir us -- there is a tingling in the spine, a catch in the voice, a faint sensation, as if a distant memory, of falling from a height. We know we are approaching the greatest of mysteries.
A poet ought not to pick nature's pocket. Let him borrow, and so borrow as to repay by the very act of borrowing. Examine nature accurately, but write from recollection, and trust more to the imagination than the memory.
From attachment comes longing, and longing breeds anger. From anger comes delusion, and from delusion, confused memory. From confused memory comes the ruin of discrimination; and from the ruin of discrimination, a man perishes.
The great events of life often leave one unmoved; they pass out of consciousness, and, when thinks of them, become unreal. Even the scarlet flowers of passion seem to grow in the same meadow as the poppies of oblivion. We reject the burden of their memory, and have anodynes against them. But the little things, the things of no moment, remain with us. In some tiny ivory cell the brain stores the most delicate, and the most fleeting impressions.
We mark with light in the memory the few interviews we have had with souls that made our souls wiser, that spoke what we thought, that told us what we knew, that gave us leave to be what we inly are.
That's because only a real artist knows the actual anatomy of the terrible or the physiology of fear - the exact sort of lines and proportions that connect up with latent instincts or hereditary memories of fright, and the proper colour contrasts and lighting effects to stir the dormant sense of strangeness.
But don’t forget that memory is like salt: the right amount brings out
the flavour in food, too much ruins it. If you live in the past all the
time, you’ll find yourself with no present to remember.
People have often told me that one of their strongest childhood memories is the scent of their grandmother's house. I never knew my grandmothers, but I could always count of the Bookmobile.
The memory is sometimes so retentive, so serviceable, so obedient-at others so bewildered and weak-and at others again, so tyrannic, so beyond control!