I am a hopeless materialist. I see the soul as nothing else than the sim of activities of the organism plus personal habits - plus inherited habits, memories, experiences, of the organism. I believe that when I am dead, I am dead. I believe that with my death I am just as much obliterated as the last mosquito you and I squashed.
They say that Hope is happiness But genuine Love must prize the past; And Mem'ry wakes the thoughts that bless: They rose first -- they set the last. And all that mem'ry loves the most Was once our only hope to be: And all that hope adored and lost Hath melted into memory. Alas! It is delusion all-- The future cheats us from afar: Nor can we be what we recall, Nor dare we think on what we are.
... for this discovery of yours will create forgetfulness in the learners' souls, because they will not use their memories; they will trust to the external written characters and not remember of themselves.
Even if we are occupied with important things and even if we attain honour or fall into misfortune, still let us remember how good it once was here, when we were all together united by a good and kind feeling which made us perhaps better than we are.
People have often told me that one of their strongest childhood memories is the scent of their grandmother's house. I never knew my grandmothers, but I could always count of the Bookmobile.
That is the simple secret of happiness. Whatever you are doing, don’t let past move your mind; don’t let future disturb you. Because the past is no more, and the future is not yet. To live in the memories, to live in the imagination, is to live in the non-existential. And when you are living in the non-existential, you are missing that which is existential. Naturally you will be miserable, because you will miss your whole life.
That's because only a real artist knows the actual anatomy of the terrible or the physiology of fear - the exact sort of lines and proportions that connect up with latent instincts or hereditary memories of fright, and the proper colour contrasts and lighting effects to stir the dormant sense of strangeness.
History is the witness that testifies to the passing of time; it illumines reality, vitalizes memory, provides guidance in daily life and brings us tidings of antiquities.
History with its flickering lamp stumbles along the trail of the past, trying to reconstruct its scenes, to revive its echoes, and kindle with pale gleams the passion of former days. What is the worth of all this? The only guide to a man is his conscience; the only shield to his memory is the rectitude and sincerity of his actions. It is very imprudent to walk through life without this shield, because we are so often mocked by the failure of our hopes and the upsetting of our calculations; but with this shield, however the fates may play, we march always in the ranks of honor.
In our endeavors to recall to memory something long forgotten, we often find ourselves upon the very verge of remembrance, without being able, in the end, to remember.
As a rule, with me an unfinished [idea] is a thing that might as well be rubbed out. It's better, if there's something good in it that I might make use of elsewhere, to leave it at the back of my mind than on paper in a drawer. If I leave it in a drawer it remains the same thing but if it's in the memory it becomes transformed into something else.