It is the sweetest spring within the memory of man. So green, so mild, so beautiful! Ah, what a contrast between nature without and my own soul so torn with doubt and terror!
In time, perhaps, we will mark the memory of September 11th in stone and metal, something we can show children, as yet unborn, to help them understand what happened on this minute and on this day. But for those of us who lived through these events, the only marker we’ll ever need is the tick of a clock at the 46th minute of the eighth hour of the 11th day.
That's because only a real artist knows the actual anatomy of the terrible or the physiology of fear - the exact sort of lines and proportions that connect up with latent instincts or hereditary memories of fright, and the proper colour contrasts and lighting effects to stir the dormant sense of strangeness.
And, even yet, I dare not let it languish, Dare not indulge in memory's rapturous pain; Once drinking deep of that divinest anguish, How could I seek the empty world again?
In that part of the book of my memory before the which is little that can be read, there is a rubric, saying, Incipit Vita Nova. Under such rubric I find written many things; and among them the words which I purpose to copy into this little book; if not all of them, at the least their substance.
A man is the prisoner of his power. A topical memory makes him an almanac; a talent for debate, disputant; skill to get money makes him a miser, that is, a beggar. Culture reduces these inflammations by invoking the aid of other powers against the dominant talent, and by appealing to the rank of powers. It watches success.
We love the old saints, missionaries, martyrs, and reformers. Our Luthers, Bunyans, Wesleys and Asburys, etc... We will write their biographies, reverence their memories, frame their epitaphs, and build their monuments. We will do anything except imitate them. We cherish the last drop of their blood, but watch carefully over the first drop of our own.
Sometime you will find, even as I have found, that there is no such thing as romantic experience; there are romantic memories, and there is the desire of romance- that is all. Our most fiery moments of ecstasy are merely shadows of what somewhere else we have felt, or of what we long someday to feel
The first lady in my life, but now you're gone,
I learned through the years to keep carrying on.
Your picture brings me tears and memories,
The way things could be...and they should be, but they're not.
For it is only habit and memory that dulls the physical passion. Without memory, each night is the first night, each morning is the first morning, each kiss and touch are the first.
The danger lies in forgetting what we had. The flow between generations becomes a trickle, grandchildren tape-recording grandparents' memories on special occasions perhaps-no casual storytelling jogged by daily life, there being no shared daily life what with migrations, exiles, diasporas, rendings, the search for work. Or there is a shared daily life riddled with holes of silence.