The economic transmission of power without wires is of all-surpassing importance to man. By its means he will gain complete mastery of the air, the sea and the desert. It will enable him to dispense with the necessity of mining, pumping, transporting and burning fuel, and so do away with innumerable causes of sinful waste.
It has been said that one bad general is better than two good ones, and the saying is true if taken to mean no more than that an army is better directed by a single mind, though inferior, than by two superior ones at variance and cross-purposes with each other.
More and more we try to effect an adaptation to life by means of external gadgets, and attempt to solve our problems by conscious thinking rather than unconscious 'know-how'. This is much less to our advantage than we like to suppose.
Canst thou, O partial sleep, give thy repose to the wet sea-boy in an hour so rude, and in the calmest and most stillest night, with all appliances and means to boot, deny it to a king?
I repeat to you-my own view is, is that if a State-if people decide to-what they do in the privacy of their house, consenting adults should be able to do. This is America. It's a free society, but it doesn't mean we have to redefine traditional marriage.
Beyond all explanations which a good brain can give, why do we choose the worse and not the better, why hate rather than love, why greed and not generosity, why self-centred activity and not open total action? Why be mean when there are soaring mountains and flashing streams? Why jealousy and not love? Why?
What is material and what is not? When the world is the end and God is the means to attain that end, that is material. When God is the end and the world is only the means to attain that end, spirituality has begun.
There are, then, three states of mind ... two vices--that of excess, and that of defect; and one virtue--the mean; and all these are in a certain sense opposed to one another; for the extremes are not only opposed to the mean, but also to one another; and the mean is opposed to the extremes.
No greater mistake can be made than to imagine that what has been written latest is always the more correct; that what is written later on is an improvement on what was written previously; and that every change means progress.
To acknowledge our ancestors means we are aware that we did not make ourselves, that the line stretches all the way back, perhaps to God; or to Gods. We remember them because it is an easy thing to forget: that we are not the first to suffer, rebel, fight, love and die. The grace with which we embrace life, in spite of the pain, the sorrow, is always a measure of what has gone before.
Actual philosophers... are commanders and law-givers: they say "thus it shall be!", it is they who determine the Wherefore and Whither of mankind, and they possess for this task the preliminary work of all the philosophical laborers, of all those who have subdued the past - they reach for the future with creative hand, and everything that is or has been becomes for them a means, an instrument, a hammer.
Will power is nothing but another name of ego power. A man of wisdom has no will, just as he has no mind - because to will means to keep yourself separate from existence. It is a little subtle, but try to feel it. The moment you will it means you are always willing against things as they are. You want them to be some other way.
I need to tell the things that are important but which don't make sense in terms of the narrative, things that would destroy symmetry or narrative pace. This is my personal belief about what it means to write nonfiction.
Every man is to be respected as an absolute end in himself; and it is a crime against the dignity that belongs to him as a human being, to use him as a mere means for some external purpose.
I personally have never trusted museums. ... It is because museums, broadly speaking, live off of the art and artifacts of others, often art and artifacts that have been obtained by dubious means. But they also manipulate whatever it is they present to the public; hence, until Judy Chicago, in the 1970s ... few women artists were hung in any major museum. Indian artists? Artifacts only, please. Black artists? Something musical, maybe? And so forth.