Neither my place, nor aught I heard of business,
Hath raised me from my bed; nor doth the general care
Take hold on me; for my particular grief
Is of so floodgate and o'erbearing nature
That it engluts and swallows other sorrows,
And it is still itself.
I do see that there is an argument against suicide: the grief of the worshipers left behind, the awful famine in their hearts, these are too costly terms for the release.
Great griefs exhaust. They discourage us with life. The man into whom they enter feels something taken from him. In youth, their visit is sad; later on, it is ominous.
The dreamer's valuation of a thing lost - not another man's - is the only standard to measure it by, and his grief for it makes it large and great and fine, and is worthy of our reverence in all cases.
Whate'er thy joys, they vanish with the day:
Whate'er thy griefs, in sleep they fade away,
To sleep! to sleep!
Sleep, mournful heart, and let the past be past:
Sleep, happy soul, all life will sleep at last.
Time is passing. Yet, for the United States of America, there will be no forgetting September the 11th. We will remember every rescuer who died in honor. We will remember every family that lives in grief. We will remember the fire and ash, the last phone calls, the funerals of the children.
Nature's first green is gold, Her hardest hue to hold. Her early leaf's a flower; But only so an hour. Then leaf subsides to leaf. So Eden sank to grief, So dawn goes down to day. Nothing gold can stay.
And you would accept the seasons of your heart just as you have always accepted that seasons pass over your fields and you would watch with serenity through the winters of your grief.
And now, dear Mr. Worthing, I will not intrude any longer into a house of sorrow. I would merely beg you not to be too much bowed down by grief. What seem to us bitter trials are often blessings in disguise. This seems to me a blessing of an extremely obvious kind.
Behind all art is an element of desire...Love of life, of existence, love of another human being, love of human beings is in some way behind all art — even the most angry, even the darkest, even the most grief-stricken, and even the most embittered art has that element somewhere behind it. Because how could you be so despairing, so embittered, if you had not had something you loved that you lost?