There should be, methinks, as little merit in loving a woman for her beauty as in loving a man for his prosperity; both being equally subject to change.
Beauty is the only thing that time cannot harm. Philosophies fall away like sand, and creeds follow one another like the withered leaves of Autumn; but what is beautiful is a joy for all seasons and a possession for all eternity.
I don't think of all the misery, but of the beauty that still remains....My advice is: Go outside, to the fields, enjoy nature and the sunshine, go out and try to recapture happiness in yourself and in God. Think of all the beauty that's still left in and around you and be happy!
Nothing is beautiful, only man: on this piece of naivete rests all aesthetics, it is the first truth of aesthetics. Let us immediately add its second: nothing is ugly but degenerate man - the domain of aesthetic judgment is therewith defined.
From all these experiences the most important thing I have learned is that legibility and beauty stand close together and that type design, in its restraint, should be only felt but not perceived by the reader.
The fact is, the public make use of the classics of a country as a means of checking the progress of Art. They degrade the classics into authorities. They use them as bludgeons for preventing the free expression of Beauty in new forms.
The most useful man in the most useful world, so long as only commodity was served, would remain unsatisfied. But, as fast as he sees beauty, life acquires a very high value.
Beauty is but a vain and doubtful good; a shining gloss that fadeth suddenly; a flower that dies when it begins to bud; a doubtful good, a gloss, a glass, a flower, lost, faded, broken, dead within an hour.
Meadows trim with daisies pied, Shallow brooks and rivers wide Towers and battlements it sees Bosom'd high in tufted trees, Where perhaps some beauty lies, The cynosure of neighboring eyes.