Do you recall the laughter of the Philistines at the helpless Sampson? You can hear the echo of that laughter to-day, as the church, shorn of her strength by her own sin, is an object of ridicule to the world, who cry in derision, "Where is your boasted triumph and your Millennial glory?
There is a place where time stands still ...illuminated by only the most feeble red light, for light is diminished to almost nothing at the center of time, its vibrations slowed to echoes in vast canyons, its intensity reduced to the faint glow of fireflies.
I did not begin when I was born, nor when I was conceived. I have been growing, developing, through incalculable myriads of millenniums... All my previous selves have their voices, echoes, promptings in me... Oh, incalculable times again shall I be born.
Seated one day at the organ, I was weary and ill at ease, and my fingers wandered idly over the noisy keys. It seemed the harmonious echo from our discordant life.
If thou couldst, doctor, cast The water of my land, find her disease, And purge it to a sound and pristine health, I would applaud thee to the very echo, That should applaud you again.
The secondary Imagination I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to recreate: or where this process is rendered impossible, yet still at all events it struggles to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead.
A dissolute character is more dissolute in thought than in deed. And the same is true of violence. Our violence in word and deed is but a feeble echo of the surging violence of thought in us.
An echo is a good way to describe the photogram, which is a visual echo of the real object. That's why I like to work with the photogram, because the contact with what is represented is actual. It's as if the border between the world and the print is osmotic.
I have not loved the World, nor the World me; I have not flattered its rank breath, nor bowed To its idolatries a patient knee, Nor coined my cheek to smiles,-nor cried aloud In worship of an echo.
I am not engaged to Christianity by decent forms, or saving ordinances; it is not usage, it is not what I do not understand, that binds me to it -- let these be the sandy foundations of falsehoods. What I revere and obey in it is its reality, its boundless charity, its deep interior life, the rest it gives to my mind, the echo it returns to my thoughts, the perfect accord it makes with my reason through all its representation of God and His Providence; and the persuasion and courage that come out thence to lead me upward and onward.