It is for homely features to keep home,- They had their name thence; coarse complexions And cheeks of sorry grain will serve to ply The sampler and to tease the huswife's wool. What need a vermeil-tinctur'd lip for that, Love-darting eyes, or tresses like the morn?
Test of the poet is knowledge of love,
For Eros is older than Saturn or Jove;
Never was poet, of late or of yore,
Who was not tremulous with love-lore.
Love is life. All, everything that I understand, I understand only because I love. Everything is, everything exists, only because I love. Everything is united by it alone. Love is God, and to die means that I, a particle of love, shall return to the general and eternal source.
The Merchant, to Secure His Treasure The merchant, to secure his treasure, Conveys it in a borrowed name: Euphelia serves to grace my measure, But Cloe is my real flame. My softest verse, my darling lyre Upon Euphelia's toilet lay - When Cloe noted her desire That I should sing, that I should play. My lyre I tune, my voice I raise, But with my numbers mix my sighs; And whilst I sing Euphelia's praise, I fix my soul on Cloe's eyes. Fair Cloe blushed; Euphelia frowned: I sung, and gazed; I played, and trembled: And Venus to the Loves around Remarked how ill we all dissembled.
Love seems the swiftest, but it is the slowest of all growths. No man or woman really knows what perfect love is until they have been married a quarter of a century.
There is something in the unselfish and self-sacrificing love of a brute, which goes directly to the heart of him who has had frequent occasion to test the paltry friendship and gossamer fidelity of mere Man.
In our relationship with children and young people, we are not dealing with mechanical devices that can be quickly repaired, but with living beings who are impressionable, volatile, sensitive, afraid, affectionate; and to deal with them we have to have great understanding, the strength of patience and love.