Age cannot Love destroy, But perfidy can blast the flower, Even when in most unwary hour It blooms in Fancy's bower. Age cannot Love destroy, But perfidy can rend the shrine In which its vermeil splendours shine.
There's an interdependence between flowers and bees. Where there are no flowers there are no bees, and where there are no bees, there are no flowers. They are really one organism. And so in the same way, everything in nature depends on everything else.
But mighty Nature bounds as from her birth;
The sun is in the heavens, and life on earth:
Flowers in the valley, splendor in the beam,
Health on the gale, and freshness in the stream.
As a lotus flower is born in water, grows in water and rises out of water to stand above it unsoiled, so I, born in the world, raised in the world having overcome the world, live unsoiled by the world
I notice that you use plain, simple language, short words and brief sentences. That is the way to write English - it is the modern way and the best way. Stick to it; don't let fluff and flowers and verbosity creep in.
It is when our budding hopes are nipped beyond recovery by some rough wind, that we are the most disposed to picture to ourselves what flowers they might have borne, if they had flourished . . .
I often wonder: suppose we could begin life over again, knowing what we were doing? Suppose we could use one life, already ended, as a sort of rough draft for another? I think that every one of us would try, more than anything else, not to repeat himself, at the very least he would rearrange his manner of life, he would make sure of rooms like these, with flowers and light ... I have a wife and two daughters, my wife's health is delicate and so on and so on, and if I had to begin life all over again I would not marry. ... No, no!
Not as the plants and flowers of Earth, growing peacefully beneath a simple sun, were the blossoms of the planet Lophai. Coiling and uncoiling in double dawns; tossing tumultuously under vast suns of jade green and balas-ruby orange; swaying and weltering in rich twilights, in aurora-curtained nights, they resembled fields of rooted serpents that dance eternally to an other-worldly music.
I came out for exercise, gentle exercise, and to notice the scenery and to botanise. And no sooner do I get on that accursed machine than off I go hammer and tongs; I never look to right or left, never notice a flower, never see a view - get hot, juicy, red - like a grilled chop. Get me on that machine and I have to go. I go scorching along the road, and cursing aloud at myself for doing it.