As some to church repair, Not for the doctrine, but the music there. These equal syllables alone require, Though oft the ear the open vowels tire While expletives their feeble aid do join, And ten low words oft creep in one dull line.
The technical history of modern harmony is a history of growth of toleration by the human ear of chords that at first sounded discordant and senseless to the main body of contemporary professional musicians.
Music is of two kinds: one petty, poor, second-rate, never varying, its base the hundred or so phrasings which all musicians understand, a babbling which is more or less pleasant, the life that most composers live.
The imitator dooms himself to hopeless mediocrity. The inventor did it because it was natural to him, and so in him it has a charm. In the imitator something else is natural, and he bereaves himself of his own beauty, to come short of another man's.
The harmony of a concert, to which you listen with delight, must have on certain classes of minute animals the effect of terrible thunder; perhaps it kills them.