I shall set forth for somewhere, I shall make the reckless choice Some say when they are in voice And tossing so as to scare The white clouds over them on, I shall have less to say, But I shall be none.
O hushed October morning mild, Begin the hours of this day slow, Make the day seem to us less brief... Retard the sun with gentle mist; Enchant the land with amethyst.
Let those possess the land, and only those,
Who love it with a love so strong and stupid
That they may be abused and taken advantage of
And made fun of by business, law, and art.
One of the lies would make it out that nothing
Ever presents itself before us twice.
Where would we be at last if that were so?
Our very life depends on everything's
Recurring till we answer from within.
Poetry begins in trivial metaphors, pretty metaphors, "grace" metaphors, and goes on to the profoundest thinking that we have. Poetry provides the one permissible way of saying one thing and meaning another. People say, "Why don’t you say what you mean?" We never do that, do we, being all of us too much poets. We like to talk in parables and in hints and in indirections - whether from diffidence or some other instinct.
I have just been to a city in the West, a city full of poets, a city they have made safe for poets. The whole city is so lovely that you do not have to write it up to make it poetry; it is ready-made for you. But, I don't know - the poetry written in that city might not seem like poetry if read outside of the city. It would be like the jokes made when you were drunk; you have to get drunk again to appreciate them.
Far in the pillared dark Thrush music went- Almost like a call to come in To the dark and lament. But no, I was out for stars: I would not come in. I meant not even if asked, And I hadn't been.