You look at Ray Lewis, you look at Brett Favre. I know it's different positions, but you think about the mental mindset it takes to continue to grind and play at a high level. Those are the guys that I look at that motivate me.
Anything can happen in stock markets and you ought to conduct your affairs so that if the most extraordinary events happen, that you're still around to play the next day.
One of the tricks to writing great plays is to get people in a room together and not let them leave. You want the tension to escalate. Keeping them there is the hardest part, so you have to take away any excuse for them to leave.
There are only two forces that unite men - fear and interest. All great revolutions originate in fear, for the play of interests does not lead to accomplishment.
If you asked someone, 'Can you play the violin?' and he says, 'I don't know, I have not tried, perhaps I can,' you laugh at him. Whereas about writing, people always say: 'I don't know, I have not tried,' as though one had only to try and one would become a writer.
When you want to put something into your part that is not in the play, you must ask the author-or some other author-to lead up to the interpolation for you. Never forget that the effect of a line may depend not on its delivery, but on something said earlier in the play, either by somebody else or by yourself, and that if you change it, it may be necessary to change the whole first act as well.