It is not likely that posterity will fall in love with us, but not impossible that it may respect or sympathize; so a man would rather leave behind him the portrait of his spirit than a portrait of his face.
Blows the wind to-day, and the sun and the rain are flying,
Blows the wind on the moors to-day and now,
Where about the graves of the martyrs the whaups are crying,
My heart remembers how!
When the grass was closely mown,
Walking on the lawn alone,
In the turf a hole I found,
And hid a soldier underground.
Spring and daisies came apace;
Grasses hide my hiding place;
Grasses run like a green sea
O'er the lawn up to my knee.
The bourgeoisie's weapon is starvation. If as a writer or artist you run counter to their narrow notions they simplyand silently withdraw your means of subsistence. I sometimes wonder how many people of talent are executed in this way every year.
It is the history of our kindnesses that alone make this world tolerable. If it were not for that, for the effect of kind words, kind looks, kind letters . . . I should be inclined to think our life a practical jest in the worst possible spirit.
To love playthings well as a child, to lead an adventurous and honorable youth, and to settle when the time arrives, into a green and smiling age, is to be a good artis en life and deserve well of yourself and your neighbor.
The most influential books, and the truest in their influence, are works of fiction. They repeat, they re-arrange, they clarify the lessons of life; they disengage us from ourselves, they constrain us to the acquaintance of others; and they show us the web of experience, but with a singular change-that monstrous, consuming ego of ours being, nonce, struck out.