Imagine some foul and putrid corpse that has lain rotting and decomposing in the grave, a jelly-like mass of liquid corruption. Imagine such a corpse a prey to flames, devoured by the fire of burning brimstone and giving off dense choking fumes of nauseous loathsome decomposition. And then imagine this sickening stench, multiplied a millionfold and a millionfold again from the millions upon millions of fetid carcasses massed together in the reeking darkness, a huge and rotting human fungus. Imagine all this, and you will have some idea of the horror of the stench of hell.
If the Irish programme did not insist on the Irish language I suppose I could call myself a nationalist. As it is, I am content torecognize myself an exile: and, prophetically, a repudiated one.
For myself, I always write about Dublin, because if I can get to the heart of Dublin I can get to the heart of all the cities of the world. In the particular is contained the universal.
The philosophic mind inclines always to an elaborate life--the life of Goethe or of Leonardo da Vinci; but the life of the poet isintense--the life of Blake or of Dante--taking into its centre the life that surrounds it and flinging it abroad again amid planetary music.
I should tell you that honestly, on my honour of a Nearwicked, I always think in a wordworth's of that primed favourite continental poet, Daunty, Gouty and Shopkeeper, A.G., whom the generality admoyers in this that is and that this is to come.
The important thing is not what we write but how we write, and in my opinion the modern writer must be an adventurer above all, willing to take every risk, and be prepared to founder in his effort if need be. In other words we must write dangerously
And in spite of everything, Ireland remains the brain of the Kingdom. The English, judiciously practical and ponderous, furnish the over-stuffed stomach of humanity with a perfect gadget--the water closet. The Irish, condemned to express themselves in a language not their own, have stamped on it the mark of their own genius and compete for glory with the civilized nations. This is then called English literature.
By an epiphany he meant a sudden spiritual manifestation, whether in the vulgarity of speech or of gesture or memorable phrase of the mind itself. He believed it was for the man of letters to record these epiphanies with extreme care (saving them for later use, that is), seeing that they themselves are the most delicate and evanescent of moments.