I have the words already. What I am seeking is the perfect order of words in the sentence. You can see for yourself how many different ways they might be arranged.
Writing doesn't come easily to anyone, I think, certainly not to me. But pressure and practice does lend a certain fluency, I think - the more sentences you write, the more sentences you have written, if that slightly Zen confection makes any sense.
I read a lot. I spend of lot time thinking. It actually looks like I'm doing nothing, but... hanging out with clever and interesting people is a must if you're writing comedy, like hanging out with a good bass player when you're a drummer.
I don't know if the books are making the world a much better place. I don't write with that objective. What I know is that I see my readers creating a critical mass so we can at least understand this world in a different way.
Good writing is a kind of skating which carries off the performer where he would not go, and is only right admirable when to all its beauty and speed a subserviency to the will, like that of walking, is added.
You've got to sell your heart, your strongest reactions, not the little minor things that only touch you lightly, the little experiences that you might tell at dinner. This is especially true when you begin to write, when you have not yet developed the tricks of interesting people on paper, when you have none of the technique which it takes time to learn. When, in short, you have only your emotions to sell.
Writing checks to the IRS that include strings of zeros does not bother me ... Overall, we feel extraordinarily lucky to have been dealt a hand in life that enables us to write large checks to the government rather than one requiring the government to regularly write checks to us-say, because we are disabled or unemployed.
I had a financial page to write in the Mail on Sunday where Id give tips on shares. I worked there for two and a half years. Nothing compares to the burst of energy felt on a newsroom floor when a big story breaks.
I believe that the main thing in beginning a novel is to feel, not that you can write it, but that it exists on the far side of a gulf, which words can't cross: that it's to be pulled through only in a breathless anguish.