If a writer knows enough about what he is writing about, he may omit things that he knows. The dignity of movement of an iceberg is due to only one ninth of it being above water.
One of the illusions of life is that the present hour is not the critical decisive hour. Write it on your heart that every day is the best day of the year. He only is right who owns the day, and no one owns the day who allows it to be invaded by worry, fret and anxiety. Finish every day, and be done with it. You have done what you could.
I tend to write songs fast, so the process usually only lasts around 30 minutes. In the studio is where I really can artistically breathe, and let my ideas flow.
Happy is he who looks only into his work to know if it will succeed, never into the times or the public opinion; and who writes from the love of imparting certain thoughts and not from the necessity of sale - who writes always to the unknown friend.
When you're writing about something that happened, it helps you transition to the present. Ironically enough, by focusing on your presidency, it helps you realize that you're no longer the president. By reliving moments, it helps you stay focused on the moment.
And when you clear away the cobwebs of the description of every job in the world, at the bottom of that job is service. It's service. And I took that ethic and applied it to my writing craft.
One of the problems we have as writers is we don't take ourselves seriously while writing; being serious is setting aside a time and saying if it comes, good; if it doesn't come, good, I'll just sit here.
Look, then, into thine heart, and write! Yes, into Life's deep stream! All forms of sorrow and delight, All solemn Voices of the Night, That can soothe thee, or affright, - Be these henceforth thy theme. (excerpt from "Voices of the Night")
For a writer you have to be interested in different cultures, different backgrounds. You are not there to write only about your village. You're there to show a bit of your village, but also to understand other villages.