Yes, I get dry spells. Sometimes I can't turn out a thing for three months. When one of those spells comes on I quit trying to work and go out and see something of life. You can't write a story that's got any life in it by sitting at a writing table and thinking. You've got to get out into the streets, into the crowds, talk with people, and feel the rush and throb of real life-that's the stimulant for a story writer.
For Tommy, on that hot and empty afternoon, was in a state of mind in which grown-up people go away and write books about their whole world, and stories about what it is like to be married, and plays about the important problems of modern times. Tommy, being only ten years old, was not able to do harm on this large and handsome scale.
Now the writer, I think, has the chance to live more than other people in the presence of ... reality. It is his business to find it and collect it and communicate it to the rest of us.
A page of Addison or of Irving will teach more of style than a whole manual of rules, whilst a story of Poe's will impress upon the mind a more vivid notion of powerful and correct description and narration than will ten dry chapters of a bulky textbook.
Poetry is a rhythmical piece of writing that leaves the reader feeling that life is a little richer than before, a little more full of wonder, beauty, or just plain delight.
My rule has been, so far as I could have any rule (I could have no cast-iron rule) - my rule has been, to write what I have to say the best way I can - then lay it aside - taking it up again after some time and reading it afresh - the mind new to it. If there's no jar in the new reading, well and good - that's sufficient for me.
I let myself go at the beginning and write with an easy mind, but by the time I get to the middle I begin to grow timid and to fear my story will be too long. . .That is why the beginning of my stories is always very promising and looks as though I were starting on a novel, and the middle is huddled and timid, and the end is...like fireworks.
You can write any time people will leave you alone and not interrupt you. Or rather you can if you will be ruthless enough about it. But the best writing is certainly when you are in love.
Whatever you have lived, you can write & by hard work & a genuine apprenticeship, you can learn to write well; but what you have not lived you cannot write, you can only pretend to write it.