What is with waiters who don't write anything down and memorize your order instead? Are you trying to impress me or something? If you were that smart you wouldn't be a goddamn waiter in the first place.
I do believe, and I will always believe, that Shakespeare on film is really something that should be tried more often because it is an opportunity to take the humanity that Shakespeare writes into characters and express it.
It has always seemed to me that so long as you produce your dramatic effect, accuracy of detail matters little. I have never striven for it and I have made some bad mistakes in consequence. What matter if I hold my readers?
I read a lot. I spend of lot time thinking. It actually looks like I'm doing nothing, but... hanging out with clever and interesting people is a must if you're writing comedy, like hanging out with a good bass player when you're a drummer.
I want to do wardrobe. I want to do hair. I want to do makeup. I want to do writing. I want to do directing. I want to do all of it. I like it. And I want to do producing.
This makes his writing very pleasing to read: João Gilberto Noll pays attention to detail, but only to certain details. And it's never easy to foresee which details will send the narrator or the plot in an unsuspected direction.
I have now attained the true art of letter-writing, which we are always told, is to express on paper exactly what one would say to the same person by word of mouth.
Most of my recent plays were written in the railway train between Hatfield and Kings Cross. I write anywhere, on the top of omnibuses or wherever I may be; it is all the same to me.
It's still scary every time I go back to the past. Each morning, my heart catches. When I get there, I remember how the light was, where the draft was coming from, what odors were in the air. When I write, I get all the weeping out.
Every essay - the subject matter of every essay - is ultimately about the essayist; him or herself. That ultimately, every essayist is writing about his or her view of the world.
But sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, 'Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know.' So finally I would write one true sentence, and then go on from there.