Ernest Hemingway has been the most important influence on me as a writer. But at a certain point as a writer, I realized that he was writing about good people doing good things. This did not match my experience of life and so I found my sentences stretching and becoming less plain.
In general I do not draw well with literary men -- not that I dislike them but I never know what to say to them after I have praised their last publication.
We write for the same reason that we walk, talk, climb mountains or swim the oceans - because we can. We have some impulse within us that makes us want to explain ourselves to other human beings.
I confess that there is nothing to teach: no religion, no science, no writings which will lead your mind back to Spirit. Today I speak this way, tomorrow that, but always the Path is beyond words and beyond mind.
I spent every night until four in the morning on my dissertation, until I came to the point when I could not write another word, not even the next letter. I went to bed. Eight o'clock the next morning I was up writing again.
I only can write a book every two years, you know. And I write very fast, but I'm not always writing every day. I needed a contact with different things, like nature, for example. I cannot be in front of a computer trying to tell a story.
The poet's mind is in fact a receptacle for seizing and storing up numberless feelings, phrases, images, which remain there until all the particles which can unite to form a new compound are present together.
So in writing, there is always a right word, and every other than that is wrong. There is no beauty in words except in their collocation. The effect of a fanciful word misplaced, is like that of a horn of exquisite polish growing on a human head.
When you write, produce, engineer and mix everything yourself, it tends to take a long time to do anything. And when you're a perfectionist little monster, it makes it even harder. But it's a blast and I wouldn't trade the opportunity for all the ice cream sandwiches in the universe.
My rule has been, so far as I could have any rule (I could have no cast-iron rule) - my rule has been, to write what I have to say the best way I can - then lay it aside - taking it up again after some time and reading it afresh - the mind new to it. If there's no jar in the new reading, well and good - that's sufficient for me.