Each day of not writing, of comfort, of being that which he despised, dulled his ability and softened his will to work so that, finally, he did no work at all.
I am trying to make, before I get through, a picture of the whole world--or as much of it as I have seen. Boiling it down always, rather than spreading it out too thin. (On Writing.)
I only can write a book every two years, you know. And I write very fast, but I'm not always writing every day. I needed a contact with different things, like nature, for example. I cannot be in front of a computer trying to tell a story.
I think it's more about trying to just focus exclusively on writing music and making that a viable, sustainable lifestyle. It's difficult because it forces you to really get creative.
Things may not be immediately discernible in what a man writes, and in this sometimes he is fortunate; but eventually they are quite clear and by these and the degree of alchemy that he possesses he will endure or be forgotten.
Taking the question in general, I should say, in the case of many poets, that the most important thing for them to do ... is to write as little as possible
Writing saved me from the sin and inconvenience of violence - as it saves most writers who live in 'interesting' oppressive times and are not afflicted by personal immunity.
Mostly, we authors must repeat ourselves - that's the truth. We have two or three great and moving experiences in our lives - experiences so great and moving that it doesn't seem at the time anyone else has been so caught up and so pounded and dazzled and astonished and beaten and broken and rescued and illuminated and rewarded and humbled in just that way ever before. Then we learn our trade, well or less well, and we tell our two or three stories - each time in a new disguise - maybe ten times, maybe a hundred, as long as people will listen.