I was cautious in what I said before the young lady; for I could not be sure that she was sane; and, in fact, there was a certain restless brilliancy about her eyes that half led me to imagine she was not.
I think that if one is faced by inevitable destruction -- if a house is falling upon you, for instance -- one must feel a great longing to sit down, close one's eyes and wait, come what may . . .
Vast chain of being! which from God began, Natures ethereal, human, angel, man, Beast, bird, fish, insect, what no eye can see, No glass can reach, from infinite to Thee, From Thee to nothing.
What meaning has such meditation? There is no meaning; there is no utility. But in that meditation there is a movement of great ecstasy which is not to be confounded with pleasure. It is this ecstasy which gives to the eye, to the brain and to the heart, the quality of innocency. Without seeing life as something totally new, it is a routine, a boredom, a meaningless affair. So meditation is of the greatest importance. It opens the door to the incalculable, to the measureless.
The habits of every animal are, at least in the eyes of man, constantly similar in all ages. But the habits, the clothes, the words and the dwelling of a prince, a banker, an artist, a bourgeois, a priest and a pauper, are wholly dissimilar and change at the will of civilizations.
If it be aught toward the general good, Set honor in one eye and death i' th' other, And I will look on both indifferently; For let the gods so speed me as I love The name of honor more than I fear death.
If her eyes had no expression, it was probably because they had nothing to express. If she had few wrinkles, it was because her mind had never traced its name or any other inscription on her face.
Perception without the perceiver in meditation is to commune with the height and depth of the immense. This perception is entirely different from seeing an object without an observer, because in the perception of meditation there is no object and therefore no experience. can, however, take place when the eyes are open and one is surrounded by objects of every kind. But then these objects have no importance at all. One sees them but there is no process of recognition, which means there is no experiencing.
To us, our house was not unsentient matter -- it had a heart, and a soul, and eyes to see us with; and approvals and solicitudes and deep sympathies; it was of us, and we were in its confidence, and lived in its grace and in the peace of its benediction.
One could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? express that emptiness there?
Then she opened her eyes, Veronika did not think 'this must be heaven'. Heaven would never use a fluorescent tube to light a room, and the pain - which started a fraction of a second later - was typical of the Earth. Ah, that Earth pain - unique, unmistakable.
I can't sleep without knowing there's hope. Half the night I waste in sighs. In a wakeful doze I sorrow. For the hands, for the lips... the eyes. For the meeting of tomorrow.
Creation rather than painting, or if painting, yet such, and with such co-presence of the whole picture flash'd at once upon the eye, as the sun paints in a camera obscura. (Describing his poetic ideal, 1817)
What a person is for himself, what abides with him in his loneliness and isolation, and what no one can give or take away from him, this is obviously more essential for him than everything that he possesses or what he may be in the eyes of others.