Sweet is true love though given in vain, in vain;
And sweet is death who puts an end to pain:
I know not which is sweeter, no, not I.
Love, art thou sweet? then bitter death must be:
Love, thou art bitter; sweet is death to me.
O Love, if death be sweeter, let me die.
...
I fain would follow love, if that could be;
I needs must follow death, who calls for me;
Call and I follow, I follow! let me die.
A poet is a nightingale, who sits in darkness and sings to cheer its own solitude with sweet sounds; his auditors are as men entranced by the melody of an unseen musician, who feel that they are moved and softened, yet know not whence or why.
Clearly, one primary purpose of our existence upon the earth is to obtain a body of flesh and bones. We have also been given the gift of agency. In a thousand ways we are privileged to choose for ourselves. Here we learn from the hard taskmaster of experience. We discern between good and evil. We differentiate as to the bitter and the sweet. We discover that there are consequences attached to our actions.
Humour is but the faint terrestrial echo of the hideous laughter of the blind mad gods that squat leeringly and sardonically in caverns beyond the Milky Way. It is a hollow thing, sweet on the outside, but filled with the pathos of fruitless aspiration.
Chain me with roaring bears;
Or shut me nightly in a charnel-house,
O'er-covered quite with dead men's rattling bones,
With reeky shanks and yellow chapless skulls;
Or bid me go into a new-made grave,
And hide me with a dead man in his shroud;
Things that, to hear them told, have made me tremble;
And I will do it without Fear or Doubt,
To live an unstain'd Wife of my sweet Love.
Love was as subtly caught, as a disease; But being got it is a treasure sweet, which to defend is harder than to get: And ought not be profaned on either part, for though 'Tis got by chance, 'Tis kept by art.
The woods are hush'd, their music is no more; The leaf is dead, the yearning past away; New leaf, new life--the days of frost are o'er; New life, new love, to suit the newer day: New loves are sweet as those that went before: Free love--free field--we love but while we may.
Let the tears which fell, and the broken words which were exchanged in the long close embrace between the orphans, be sacred. A father, sister, and mother, were gained, and lost, in that one moment. Joy and grief were mingled in the cup; but there were no bitter tears: for even grief arose so softened, and clothed in such sweet and tender recollections, that it became a solemn pleasure, and lost all character of pain.
English Bohemianism is a curiously unluscious fruit. ... Inside this hothouse, huge lascivious orchids slide sensuously up the sweating windows, passion-flowers cross-pollinate in wild heliotrope abandon, lotuses writhe with poppies in the sweet warm beds, kumquats ripen, open and plop flatly to the floor-and outside, in a neat, trimly-hoed kitchen-garden, English bohemians sit in cold orderly rows, like carrots.